1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:17,408 --> 00:00:18,540 ♪ DOOBY DOO 4 00:00:18,583 --> 00:00:22,500 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 5 00:00:22,544 --> 00:00:26,330 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 6 00:00:26,374 --> 00:00:30,030 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 7 00:00:30,073 --> 00:00:32,032 CAPTIONING MADE POSSIBLE BY WARNER BROS., INC. 8 00:00:32,075 --> 00:00:34,121 ♪ DUM DOO DUM DOOBY DOO ♪ 9 00:00:34,164 --> 00:00:37,863 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 10 00:00:37,907 --> 00:00:41,519 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 11 00:00:41,563 --> 00:00:45,523 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 12 00:00:45,567 --> 00:00:49,049 ♪ DUM DUM DUM DA DUM DOOBY DOO ♪ 13 00:00:49,092 --> 00:00:52,182 ♪ COME SOFTLY, DARLING 14 00:00:52,226 --> 00:00:56,621 ♪ COME TO ME, STAY 15 00:00:56,665 --> 00:00:59,711 ♪ YOU'RE MY OBSESSION 16 00:00:59,755 --> 00:01:03,715 ♪ FOREVER AND A DAY 17 00:01:03,759 --> 00:01:08,329 ♪ I WANT, WANT YOU TO KNOW ♪ 18 00:01:08,372 --> 00:01:12,202 ♪ I LOVE, I LOVE YOU SO ♪ 19 00:01:12,246 --> 00:01:16,076 ♪ PLEASE HOLD, HOLD ME SO TIGHT ♪ 20 00:01:16,119 --> 00:01:20,210 ♪ ALL THROUGH, ALL THROUGH THE NIGHT ♪ 21 00:01:20,254 --> 00:01:23,213 ♪ SPEAK SOFTLY, DARLING 22 00:01:23,257 --> 00:01:27,304 ♪ HEAR WHAT I SAY 23 00:01:27,348 --> 00:01:31,134 ♪ I'LL LOVE YOU ALWAYS 24 00:01:31,178 --> 00:01:35,399 ♪ ALWAYS, ALWAYS 25 00:01:35,443 --> 00:01:39,447 ♪ I'VE WAITED, WAITED SO LONG ♪ 26 00:01:39,490 --> 00:01:43,146 ♪ FOR YOUR KISSES AND YOUR LOVE ♪ 27 00:01:43,190 --> 00:01:47,107 ♪ PLEASE COME, COME TO ME ♪ 28 00:01:47,150 --> 00:01:51,154 ♪ THE MOON FROM UP ABOVE, DOOBY DOO ♪ 29 00:01:51,198 --> 00:01:54,462 ♪ COME SOFTLY, DARLING 30 00:01:54,505 --> 00:01:58,727 ♪ COME SOFTLY, DARLING 31 00:01:58,770 --> 00:02:02,252 ♪ OH, SOFTLY 32 00:02:02,296 --> 00:02:05,429 ♪ OH, SOFTLY 33 00:02:05,473 --> 00:02:06,778 ♪ DOOBY DOO 34 00:02:06,822 --> 00:02:10,260 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 35 00:02:10,304 --> 00:02:14,395 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 36 00:02:14,438 --> 00:02:18,181 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 37 00:02:18,225 --> 00:02:22,272 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 38 00:02:22,316 --> 00:02:26,102 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 39 00:02:26,146 --> 00:02:29,975 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 40 00:02:30,019 --> 00:02:33,675 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 41 00:02:33,718 --> 00:02:37,635 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 42 00:02:37,679 --> 00:02:41,335 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 43 00:02:41,378 --> 00:02:45,295 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 44 00:02:45,339 --> 00:02:49,169 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 45 00:02:49,212 --> 00:02:53,216 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 46 00:02:53,260 --> 00:02:57,177 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 47 00:02:57,220 --> 00:02:59,614 ♪ DUM DUM DUM DOO ♪ 48 00:03:00,876 --> 00:03:03,835 SO YOU WON'T BE OUT OF A JOB. 49 00:03:03,879 --> 00:03:05,228 EVERYBODY, SHH. 50 00:03:05,272 --> 00:03:06,838 SHH! 51 00:03:08,884 --> 00:03:12,322 IT'S, UH, IT'S QUITE AN AESTHETIC SHOCK 52 00:03:12,366 --> 00:03:15,847 TO HAVE GATHERED YOU ALL UP FOR THIS EVENT. 53 00:03:15,891 --> 00:03:17,849 THIS DIVERSE GROUP OF TALENT-- 54 00:03:17,893 --> 00:03:21,375 WRITERS AND EDITORS AND PUBLISHERS. 55 00:03:21,418 --> 00:03:23,551 THE PRINTED WORD HAS SURVIVED. 56 00:03:23,594 --> 00:03:26,118 NEW DAY BOOKS HAS SURVIVED! 57 00:03:28,120 --> 00:03:30,906 THEY, UH, THEY WANT US. 58 00:03:30,949 --> 00:03:34,083 THEY WANT TO GET US VERY BADLY. 59 00:03:34,126 --> 00:03:36,564 THEY WANT TO PULL US DOWN 60 00:03:36,607 --> 00:03:39,567 AND MAKE SOMETHING CLEAN AND UGLY 61 00:03:39,610 --> 00:03:42,570 AND OBSCENELY TALL AND PROFITABLE 62 00:03:42,613 --> 00:03:45,094 ARISE OUT OF OUR ASHES, 63 00:03:45,137 --> 00:03:46,922 BUT WE ARE HERE! 64 00:03:46,965 --> 00:03:50,099 THANKS TO ALL OF YOUR CREATIVE EFFORT, 65 00:03:50,142 --> 00:03:52,101 NEW YORK'S LAST REAL BOOKSTORE 66 00:03:52,144 --> 00:03:56,105 WILL BE AROUND FOR A GOOD LONG TIME TO COME. 67 00:03:56,148 --> 00:03:58,063 BLESS US, EVERYONE! 68 00:04:06,158 --> 00:04:08,596 NO, NO, NO. WE'VE HIRED 69 00:04:08,639 --> 00:04:12,077 ALL THESE SWEET UNEMPLOYED ACTORS TO DO THAT. 70 00:04:12,121 --> 00:04:14,123 DID WE PULL IT OFF? 71 00:04:14,166 --> 00:04:15,994 YOU'RE A WONDER. 72 00:04:16,038 --> 00:04:18,127 WE PULLED IT OFF. 73 00:04:18,170 --> 00:04:20,608 WHAT IF THE STORE HAD FOLDED? 74 00:04:20,651 --> 00:04:22,131 IT'S UNTHINKABLE. 75 00:04:22,174 --> 00:04:24,133 HANG ON TO HER, LIONEL. 76 00:04:24,176 --> 00:04:27,136 LOYALTY LIKE THIS DOESN'T WALK IN EVERY DAY. 77 00:04:27,179 --> 00:04:29,617 YOU'VE NOTICED IZZY HAS FEATURED YOU 78 00:04:29,660 --> 00:04:32,141 IN OUR WINDOW FOR THREE WEEKS. 79 00:04:32,184 --> 00:04:34,143 WHEN IS THIS MUCH-PUBLICIZED MEETING? 80 00:04:34,186 --> 00:04:35,623 ON THE 20th. 81 00:04:35,666 --> 00:04:38,147 I'M VERY LOYAL TO NEIGHBORHOOD AUTHORS. 82 00:04:38,190 --> 00:04:40,628 I'M VERY LOYAL TO POWERFUL WOMEN. 83 00:04:40,671 --> 00:04:42,151 EXCUSE ME. 84 00:04:42,194 --> 00:04:45,154 YOU DON'T HAVE TO STAY. I'LL CLOSE UP. 85 00:04:45,197 --> 00:04:46,634 I DON'T MIND. 86 00:04:46,677 --> 00:04:48,157 NO. GO ON. 87 00:04:48,200 --> 00:04:50,159 OH, HERE, IZZY. TAKE THIS. 88 00:04:50,202 --> 00:04:52,640 COME ON. ALWAYS HANDY TO HAVE 89 00:04:52,683 --> 00:04:54,163 AROUND THE HOUSE. 90 00:04:54,206 --> 00:04:55,686 THANKS. 91 00:04:57,688 --> 00:04:59,299 WONDERFUL PARTY. 92 00:04:59,342 --> 00:05:01,170 GOOD NIGHT. 93 00:05:01,213 --> 00:05:03,651 GOOD NIGHT. 94 00:05:03,694 --> 00:05:04,739 IZZY. 95 00:05:06,697 --> 00:05:10,179 I DIDN'T MEAN TO BE SO GLIB BACK THERE. 96 00:05:10,222 --> 00:05:13,182 UM, HERE. YOU CAN BILL THIS TO ME. 97 00:05:13,225 --> 00:05:16,185 ALL THESE YEARS I'VE BEEN COMING HERE, 98 00:05:16,228 --> 00:05:17,665 YOU'VE ALWAYS BEEN-- 99 00:05:17,708 --> 00:05:19,667 YOU PROBABLY HAVE IT ALREADY, 100 00:05:19,710 --> 00:05:21,712 BUT WHAT THE HELL. 101 00:05:23,061 --> 00:05:24,715 THANK YOU. 102 00:05:26,238 --> 00:05:27,675 GOOD NIGHT. 103 00:05:27,718 --> 00:05:29,241 GOOD NIGHT. 104 00:05:38,250 --> 00:05:41,689 "IZZY DEAR, IT'S WOMEN LIKE YOU 105 00:05:41,732 --> 00:05:44,692 "WHO MAKE THE WORLD LIQUID AND EVEN, 106 00:05:44,735 --> 00:05:47,259 STILL IN BEAUTY BORN." 107 00:05:50,741 --> 00:05:51,742 HMM. 108 00:06:06,278 --> 00:06:07,410 HELLO. 109 00:06:07,454 --> 00:06:08,716 I'M SORRY. 110 00:06:08,759 --> 00:06:10,718 I WOULD HAVE SAID SOMETHING, 111 00:06:10,761 --> 00:06:13,721 BUT I JUST FELT LIKE WATCHING YOU. 112 00:06:13,764 --> 00:06:15,244 WHAT'S SO FUNNY? 113 00:06:15,287 --> 00:06:16,724 NOTHING. 114 00:06:16,767 --> 00:06:17,768 HERE. 115 00:06:28,997 --> 00:06:31,739 I GOT THIS DEAL ON THIS EDITING ROOM. 116 00:06:31,782 --> 00:06:34,742 I GOT TO DO IT IN THREE DAYS-- 117 00:06:34,785 --> 00:06:37,745 FOUR WEEKS OF WORK IN THREE DAYS. 118 00:06:37,788 --> 00:06:40,269 TALK ABOUT YOUR HIGH-WIRE ACT. 119 00:06:40,312 --> 00:06:42,750 NEED SOMETHING TO GET DOWN? 120 00:06:42,793 --> 00:06:46,754 NO. I JUST THOUGHT A LITTLE WINE, A LITTLE TALK. 121 00:06:46,797 --> 00:06:49,757 I COULD SPEND THE NIGHT IF YOU WANT. 122 00:06:49,800 --> 00:06:51,585 WHERE'S KATRINA? 123 00:06:51,628 --> 00:06:53,238 CHICAGO. 124 00:06:56,328 --> 00:06:57,329 OK. 125 00:07:06,338 --> 00:07:08,776 ♪ WHEN YOUR HEART STOPS POUNDING ♪ 126 00:07:08,819 --> 00:07:11,300 ♪ POUNDING, POUNDING, POUNDING, POUNDING ♪ 127 00:07:11,343 --> 00:07:13,084 ♪ GIVE ME A CALL 128 00:07:14,346 --> 00:07:16,305 ♪ WHEN YOUR HEART STOPS POUNDING ♪ 129 00:07:16,348 --> 00:07:18,612 ♪ POUNDING, POUNDING, POUNDING, POUNDING ♪ 130 00:07:18,655 --> 00:07:20,701 ♪ GIVE ME A CALL 131 00:07:22,354 --> 00:07:25,314 ♪ YOU BUY ME MY POTATO CHIPS ♪ 132 00:07:25,357 --> 00:07:28,317 ♪ YOU WALK ME HOME 133 00:07:28,360 --> 00:07:30,319 ♪ YOU PRACTICALLY ADORE ME... ♪ 134 00:07:30,362 --> 00:07:32,539 THAT'S A FIRST EDITION. 135 00:07:36,368 --> 00:07:38,370 IS HE AN OBSESSION? 136 00:07:38,414 --> 00:07:39,415 WHAT? 137 00:07:46,857 --> 00:07:48,337 SEE YOU. 138 00:07:48,380 --> 00:07:49,381 BYE. 139 00:07:50,861 --> 00:07:52,907 ♪ WHEN YOUR HEART STOPS POUNDING ♪ 140 00:07:52,950 --> 00:07:55,649 ♪ POUNDING, POUNDING, POUNDING, POUNDING ♪ 141 00:07:55,692 --> 00:07:56,867 ♪ GIVE ME A CALL 142 00:07:58,390 --> 00:08:00,349 ♪ WHEN YOUR HEART STOPS POUNDING ♪ 143 00:08:00,392 --> 00:08:02,830 ♪ POUNDING, POUNDING, POUNDING, POUNDING ♪ 144 00:08:02,873 --> 00:08:04,484 ♪ GIVE ME A CALL 145 00:08:06,355 --> 00:08:09,010 ♪ HAIR LOOKS GOOD, FACE LOOKS GREAT ♪ 146 00:08:09,053 --> 00:08:11,708 ♪ BABY, YOU'RE JUST MY KIND OF GUY ♪ 147 00:08:11,752 --> 00:08:14,189 ♪ I WOULD LOVE TO KISS YOUR LIPS ♪ 148 00:08:14,232 --> 00:08:17,235 ♪ BUT YOU'RE TOO TERRIFIED 149 00:08:22,589 --> 00:08:24,852 ♪ WHEN YOUR HEART STOPS POUNDING ♪ 150 00:08:24,895 --> 00:08:27,376 ♪ POUNDING, POUNDING, POUNDING, POUNDING ♪ 151 00:08:27,419 --> 00:08:28,812 ♪ GIVE ME A CALL 152 00:08:30,074 --> 00:08:32,381 ♪ WHEN YOUR HEART STOPS POUNDING ♪ 153 00:08:32,424 --> 00:08:35,036 ♪ POUNDING, POUNDING, POUNDING, POUNDING ♪ 154 00:08:35,079 --> 00:08:36,559 ♪ GIVE ME A CALL 155 00:08:37,908 --> 00:08:40,389 ♪ WHEN YOUR HEART STOPS POUNDING ♪♪ 156 00:08:40,432 --> 00:08:42,391 JUST HOLD STILL. ONE MORE. 157 00:08:42,434 --> 00:08:44,393 AY! YOU'RE KILLING ME. 158 00:08:44,436 --> 00:08:46,874 YOU WANT ME TO DO IT? 159 00:08:46,917 --> 00:08:49,398 YOU DON'T HAVE TO KILL ME. 160 00:08:49,441 --> 00:08:50,399 AY! 161 00:08:50,442 --> 00:08:51,879 THAT'S IT? 162 00:08:51,922 --> 00:08:53,402 I THINK SO. 163 00:08:53,445 --> 00:08:54,882 YOU BE SURE. 164 00:08:54,925 --> 00:08:57,406 YOU DON'T WANT ME TO LOOK 165 00:08:57,449 --> 00:08:59,408 LIKE AN OLD BEARDED LADY. 166 00:08:59,451 --> 00:09:01,889 I SEE A FEW MORE LITTLE ONES. 167 00:09:01,932 --> 00:09:04,413 YOU WANT ME TO DO THEM? 168 00:09:04,456 --> 00:09:06,415 WHAT ELSE? PULL, PULL. 169 00:09:06,458 --> 00:09:08,896 OK, OK, THAT'S ENOUGH. 170 00:09:08,939 --> 00:09:11,899 HOW DO I LOOK? 171 00:09:11,942 --> 00:09:13,988 BEAUTIFUL. 172 00:09:14,031 --> 00:09:15,903 LISTEN TO THIS ONE. 173 00:09:15,946 --> 00:09:18,906 I'M IN THE OCEAN, 174 00:09:18,949 --> 00:09:21,430 AND THE WATER'S A FUNNY COLOR-- 175 00:09:21,473 --> 00:09:23,432 MAYBE PINK OR SOMETHING, 176 00:09:23,475 --> 00:09:26,435 MAYBE LIKE SOMETHING'S BLED THERE RECENTLY. 177 00:09:26,478 --> 00:09:29,917 AND I'M STANDING-- I'M NOT FLOATING, 178 00:09:29,960 --> 00:09:31,919 I'M NOT SWIMMING, I'M STANDING. 179 00:09:31,962 --> 00:09:35,444 AND THE WATER LEVEL'S UP TO HERE ON ME, 180 00:09:35,487 --> 00:09:37,925 AND THE NEXT THING I KNOW, 181 00:09:37,968 --> 00:09:40,449 IT DROPS WAY DOWN TO HERE. 182 00:09:40,492 --> 00:09:43,147 IT'S GOOD LUCK. WATER IS GOOD LUCK. 183 00:09:43,191 --> 00:09:45,628 YOU'RE GOING TO FIND SOMETHING GOOD. 184 00:09:45,672 --> 00:09:48,631 GOING TO FIND SOME MONEY, SOMETHING GOOD. 185 00:09:48,675 --> 00:09:52,156 SUCH A LOUSY BUNDLE OF OLD PAPER I'M CARRYING. 186 00:09:52,200 --> 00:09:54,158 HERE. IT'S TOO HEAVY. 187 00:09:54,202 --> 00:09:55,420 BUBBIE-- 188 00:09:55,464 --> 00:09:59,163 GIVE ME A BREAK. TAKE A LOAD OFF MY BACK. 189 00:09:59,207 --> 00:10:01,165 BUBBIE, THIS IS $500. 190 00:10:01,209 --> 00:10:02,645 THAT'S ALL? 191 00:10:02,689 --> 00:10:04,647 WHERE DID YOU GET IT? 192 00:10:04,691 --> 00:10:06,170 YOU SAW. 193 00:10:06,214 --> 00:10:08,172 YOU'RE CARRYING THIS AROUND? 194 00:10:08,216 --> 00:10:10,174 WHAT'S WRONG WITH A BANK? 195 00:10:10,218 --> 00:10:13,177 THIS IS MY BANK. THIS I TRUST. 196 00:10:13,221 --> 00:10:15,179 YOU GAVE ME $500. 197 00:10:15,223 --> 00:10:16,659 SO? 198 00:10:16,703 --> 00:10:18,661 DO I NEED A REASON 199 00:10:18,705 --> 00:10:21,664 TO GIVE MY GRANDCHILD A LITTLE SOMETHING? 200 00:10:21,708 --> 00:10:24,667 YOU DID A GOOD JOB. YOU GOT PAID. 201 00:10:24,711 --> 00:10:27,191 $100 FOR EACH WHISKER YOU PULLED. 202 00:10:27,235 --> 00:10:28,671 GOOD PRICE? 203 00:10:28,715 --> 00:10:30,238 A GOOD PRICE. 204 00:10:56,264 --> 00:10:58,222 PULL YOUR DRESS DOWN. 205 00:10:58,266 --> 00:10:59,702 IT ISDOWN. 206 00:10:59,746 --> 00:11:02,749 NAKED LEGS. OY,WHAT CAN I DO? 207 00:11:03,793 --> 00:11:07,231 I BROUGHT YOU ORANGES. I'LL BRING A BAG LATER. 208 00:11:07,275 --> 00:11:08,711 DON'T SCREAM. 209 00:11:08,755 --> 00:11:10,713 WHY SHOULD I SCREAM? 210 00:11:10,757 --> 00:11:12,236 HANNAH'S COMING OVER. 211 00:11:12,280 --> 00:11:14,717 WHY SHOULD I SCREAM? 212 00:11:14,761 --> 00:11:17,720 IT'S HANNAH, HANNAH THE SHADCHEN. 213 00:11:17,764 --> 00:11:21,158 YOU MADE AN APPOINTMENT WITH A MARRIAGE BROKER? 214 00:11:21,202 --> 00:11:23,726 IDA. IDELA. 215 00:11:23,770 --> 00:11:27,251 THIS IS MY GRANDDAUGHTER. 216 00:11:27,295 --> 00:11:29,253 YES. SHE'S A BEAUTY. 217 00:11:29,297 --> 00:11:31,255 AIN'T SHE A BEAUTY? 218 00:11:31,299 --> 00:11:34,258 I DON'T KNOW WHAT YOU THINK YOU'RE DOING-- 219 00:11:34,302 --> 00:11:37,261 FIRST YOU'LL LISTEN. THEN YOU'LL TALK. 220 00:11:37,305 --> 00:11:39,263 VERY NICE. VERY NICE GIRL. 221 00:11:39,307 --> 00:11:41,265 SHE LIVES BY HER PARENTS? 222 00:11:41,309 --> 00:11:44,268 NO. THEY LIVE IN FLORIDA WITH RED BUTTONS. 223 00:11:44,312 --> 00:11:47,271 ALL THE SOCIAL SECURITY CHECKS UNDER ONE ROOF-- 224 00:11:47,315 --> 00:11:49,099 YOU CAN HAVE IT. 225 00:11:49,143 --> 00:11:51,885 SO, ISABELLE, YOU GOT YOUR OWN APARTMENT? 226 00:11:51,928 --> 00:11:55,279 NO. SHE LIVES ALONE IN A ROOM 227 00:11:55,323 --> 00:11:56,933 LIKE A DOG. 228 00:11:56,977 --> 00:12:00,023 A DOG SHOULD LIVE ALONE, NOT PEOPLE. DOG. 229 00:12:00,067 --> 00:12:01,764 IT IS NOT A ROOM. 230 00:12:01,808 --> 00:12:03,766 IT'S A VERY NICE APARTMENT. 231 00:12:03,810 --> 00:12:05,768 THERE'S A BEDROOM, BATHROOM, LIVING-- 232 00:12:05,812 --> 00:12:08,771 WITH BARS ON THE WINDOWS LIKE A PRISON. 233 00:12:08,815 --> 00:12:12,296 SOMEONE SHOULD CRAWL IN AT NIGHT, I'M ALWAYS THINKING. 234 00:12:12,340 --> 00:12:13,776 STOP THINKING. 235 00:12:13,820 --> 00:12:15,299 [BELCH] 236 00:12:15,343 --> 00:12:16,648 EXCUSE ME, DARLING. 237 00:12:16,692 --> 00:12:19,782 IF I'LL WAIT FOR YOU, YOU'LL NEVER DO IT. 238 00:12:19,826 --> 00:12:21,784 WHAT ARE YOU TALKING ABOUT? 239 00:12:21,828 --> 00:12:23,699 YOU, I'M TALKING ABOUT. YOU. 240 00:12:23,743 --> 00:12:27,094 BUBBIE, THIS IS 100 YEARS AGO. 241 00:12:27,137 --> 00:12:29,792 A GIRL YOUR AGE. HOW OLD ARE YOU? 242 00:12:29,836 --> 00:12:31,315 33. 243 00:12:31,359 --> 00:12:33,317 NONE OF YOUR BUSINESS. 244 00:12:33,361 --> 00:12:35,798 I GOT SOME NICE, RESPECTABLE BOYS. 245 00:12:35,842 --> 00:12:37,800 NOT LIKE NATE THE BUTCHER. 246 00:12:37,844 --> 00:12:40,063 HIS MOTHER'S A SPIDER. 247 00:12:40,107 --> 00:12:43,327 HE'S GOT SOME BIG EYE OUT FOR HER. 248 00:12:43,371 --> 00:12:45,329 WELL, SHE'S A LOVELY GIRL. 249 00:12:45,373 --> 00:12:48,289 SHE OPENS HER EYES. SHE LOOKS AROUND. 250 00:12:48,332 --> 00:12:51,640 SHE MEETS A FELLA WITH A LITTLE HELP. 251 00:13:00,388 --> 00:13:02,390 BUBBIE, I DON'T NEED THAT. 252 00:13:02,433 --> 00:13:04,348 YOU'LL HEAT IT UP. 253 00:13:04,392 --> 00:13:06,350 FIVE MINUTES IN THE BROILER. 254 00:13:06,394 --> 00:13:08,352 PLEASE, SIT DOWN A MINUTE. 255 00:13:08,396 --> 00:13:10,833 YOU'LL TURN IT ONCE. THAT'S ALL. 256 00:13:10,877 --> 00:13:12,835 LISTEN TO ME! SIT DOWN! 257 00:13:12,879 --> 00:13:14,881 OK, OK. 258 00:13:17,405 --> 00:13:20,190 I AM A HAPPY PERSON. 259 00:13:20,234 --> 00:13:21,844 I HAVE EVERYTHING. 260 00:13:21,888 --> 00:13:23,846 I HAVE A RENT-CONTROLLED APARTMENT 261 00:13:23,890 --> 00:13:26,240 THAT ON THE OPEN MARKET WOULD COST 262 00:13:26,283 --> 00:13:28,372 MAYBE $1,500 A MONTH. 263 00:13:28,416 --> 00:13:29,504 PISH, PISH. 264 00:13:29,547 --> 00:13:31,854 I HAVE A WONDERFUL, WONDERFUL JOB. 265 00:13:31,898 --> 00:13:34,857 GUESS WHO I CALLED THE OTHER DAY 266 00:13:34,901 --> 00:13:36,859 ON HIS PRIVATE NUMBER. 267 00:13:36,903 --> 00:13:38,861 ISAAC SINGER. ISAAC BASHEVIS SINGER. 268 00:13:38,905 --> 00:13:41,211 HE WON THE NOBEL PRIZE! 269 00:13:41,255 --> 00:13:43,561 I CALLED HIS UNLISTED NUMBER. 270 00:13:43,605 --> 00:13:44,911 HE KNOWS ME! 271 00:13:44,954 --> 00:13:47,391 I KNOW FAMOUS WRITERS, PUBLISHERS, AND EDITORS. 272 00:13:47,435 --> 00:13:50,220 I ORGANIZE THE MOST PRESTIGIOUS READING SERIES 273 00:13:50,264 --> 00:13:51,700 IN NEW YORK. 274 00:13:51,743 --> 00:13:53,397 ME! I DO IT. 275 00:13:53,441 --> 00:13:55,399 I HAVE PLENTY OF FRIENDS-- 276 00:13:55,443 --> 00:13:58,402 LOTS OF WOMEN WHO ARE DOING TREMENDOUS THINGS 277 00:13:58,446 --> 00:14:01,405 AND DON'T NEED A MAN TO FEEL COMPLETE. 278 00:14:01,449 --> 00:14:03,886 I'M NOT GOING TO SAY NO 279 00:14:03,930 --> 00:14:06,889 IF SOMEONE WALKS INTO MY LIFE TOMORROW, 280 00:14:06,933 --> 00:14:08,891 BUT BUBBIE, PLEASE LISTEN! 281 00:14:08,935 --> 00:14:11,938 I'M NOT, I REPEAT, NOT HOLDING MY BREATH! 282 00:14:14,766 --> 00:14:17,900 A PROFESSOR ONCE SAID-- A COLLEGE PROFESSOR-- 283 00:14:17,944 --> 00:14:20,903 NO MATTER HOW MUCH MONEY YOU GOT, 284 00:14:20,947 --> 00:14:22,905 IF YOU'RE ALONE, YOU'RE SICK. 285 00:14:22,949 --> 00:14:24,602 OOHH! 286 00:14:24,646 --> 00:14:26,430 YOU LISTEN TO ME. 287 00:14:26,474 --> 00:14:28,868 LONELINESS IS A VERY LOUSY CASE. 288 00:14:34,308 --> 00:14:35,613 CANDYCE! 289 00:14:35,657 --> 00:14:37,441 I KNOW. I GAVE IN, 290 00:14:37,485 --> 00:14:39,443 BUT I'M LESS THREATENING 291 00:14:39,487 --> 00:14:41,968 TO THE SENIOR WOMEN THIS WAY. 292 00:14:43,621 --> 00:14:46,581 THEN HE GIVES ME A COPY OF HIS BOOK, 293 00:14:46,624 --> 00:14:48,583 AND HE'S WRITTEN, "IZZY DEAR, 294 00:14:48,626 --> 00:14:50,585 "IT'S WOMEN LIKE YOU 295 00:14:50,628 --> 00:14:53,588 "WHO MAKE THE WORLD LIQUID AND EVEN, 296 00:14:53,631 --> 00:14:55,590 STILL IN BEAUTY BORN." 297 00:14:55,633 --> 00:14:57,592 OH, I LIKE THAT. 298 00:14:57,635 --> 00:15:01,074 WHAT I DON'T KNOW IS-- IS IT MY MOVE? 299 00:15:01,117 --> 00:15:02,597 IS HE MARRIED? 300 00:15:02,640 --> 00:15:03,598 SEPARATED. 301 00:15:03,641 --> 00:15:04,599 OH. 302 00:15:04,642 --> 00:15:06,079 VERYSEPARATED. 303 00:15:06,122 --> 00:15:08,081 IS THAT LIKE VERY DIVORCED 304 00:15:08,124 --> 00:15:10,605 WITHOUT ALL THE MESSY PAPERWORK? 305 00:15:10,648 --> 00:15:11,954 THANKS. 306 00:15:11,998 --> 00:15:14,609 ARE YOU FORGETTING WHAT I JUST WENT THROUGH? 307 00:15:14,652 --> 00:15:16,524 WILL YOU LET ME? 308 00:15:16,567 --> 00:15:18,613 I'M TAKING OFF HIS PANTS. 309 00:15:18,656 --> 00:15:22,095 I'M KISSING HIM. I'M LICKING HIM. 310 00:15:22,138 --> 00:15:24,097 HE'S MOANING. 311 00:15:24,140 --> 00:15:27,100 HE'S SAYING, "NICE, BABY. 312 00:15:27,143 --> 00:15:30,625 NICE, BABY. NICE." 313 00:15:30,668 --> 00:15:33,106 AND THEN ALL OF A SUDDEN, 314 00:15:33,149 --> 00:15:36,631 I'M PULLING THIS LONG, LONG, I MEAN, LONG HAIR 315 00:15:36,674 --> 00:15:38,633 OUT OF MY MOUTH. 316 00:15:38,676 --> 00:15:40,635 IT'S BLOND. 317 00:15:40,678 --> 00:15:42,115 IT'S WHITE. 318 00:15:42,158 --> 00:15:44,117 IT'S WHITEBLOND. 319 00:15:44,160 --> 00:15:45,118 UH-UH! 320 00:15:45,161 --> 00:15:46,119 UH-HUH. 321 00:15:46,162 --> 00:15:47,511 HMM. 322 00:15:47,555 --> 00:15:50,645 "I MUST HAVE PICKED IT UP SOMEWHERE," HE SAYS. 323 00:15:50,688 --> 00:15:52,647 "EVERYTHING'S FLOATING IN THE AIR." 324 00:15:52,690 --> 00:15:54,127 SUFFER, FOOL. 325 00:15:54,170 --> 00:15:57,130 "EVERYTHING ALWAYS FLYING AROUND IN THE AIR." 326 00:15:57,173 --> 00:15:59,132 HMM. 327 00:15:59,175 --> 00:16:01,917 MAYBE I'LL JUST CALL HIM. 328 00:16:06,356 --> 00:16:07,749 WHAT'S THE MATTER? 329 00:16:07,792 --> 00:16:11,144 I CAN'T FIND ANTON MAES' NUMBER. 330 00:16:11,187 --> 00:16:14,451 I NEED TO FIRM THINGS UP FOR THE READING. 331 00:16:14,495 --> 00:16:16,671 WELL, IT'S NOT IN THERE. 332 00:16:16,714 --> 00:16:19,152 HE'S A BIT NUTTY ABOUT PRIVACY. 333 00:16:19,195 --> 00:16:21,154 HE MAKES YOU PROMISE 334 00:16:21,197 --> 00:16:24,200 TO KEEP IT UNDER LOCK AND KEY. 335 00:16:27,203 --> 00:16:28,726 555... 336 00:16:30,728 --> 00:16:33,209 4762. 337 00:16:35,733 --> 00:16:38,736 BE SURE AND EAT THAT WHEN YOU'RE THROUGH. 338 00:16:42,088 --> 00:16:45,178 YOU'RE INSANE! YOU ARE IN-- 339 00:16:45,221 --> 00:16:47,180 I'M HANGING UP, MARGUERITE. 340 00:16:47,223 --> 00:16:48,746 NO! 341 00:16:54,274 --> 00:16:56,711 [TELEPHONE RINGS] 342 00:16:56,754 --> 00:16:58,713 [RING] 343 00:16:58,756 --> 00:17:01,716 NOT ONE WORD. NOT ON THE PHONE. 344 00:17:01,759 --> 00:17:03,457 MEET ME AT THE PROVENCE. 345 00:17:03,500 --> 00:17:04,762 UH-- 346 00:17:33,791 --> 00:17:36,751 ANTON MAES' TABLE, PLEASE. 347 00:17:36,794 --> 00:17:38,753 IS HE EXPECTING YOU? 348 00:17:38,796 --> 00:17:41,234 WELL, SORT OF. 349 00:17:41,277 --> 00:17:43,279 THIS WAY, PLEASE. 350 00:17:53,289 --> 00:17:55,248 OH, HI. I'M SORRY. 351 00:17:55,291 --> 00:17:56,771 I'M EXPECTING SOMEONE. 352 00:17:56,814 --> 00:17:59,252 I KNOW. I TRIED CALLING BACK, 353 00:17:59,295 --> 00:18:01,254 BUT YOUR LINE WAS BUSY. 354 00:18:01,297 --> 00:18:02,820 THAT WAS YOU? 355 00:18:03,821 --> 00:18:06,781 OH...WELL, SIT DOWN. 356 00:18:06,824 --> 00:18:08,261 OH, NO, UH... 357 00:18:08,304 --> 00:18:10,306 NO, NO, NO. SIT DOWN. 358 00:18:13,309 --> 00:18:15,311 [SPEAKING IN FRENCH] 359 00:18:26,757 --> 00:18:29,282 MY WIFE DOES THIS TO ME. 360 00:18:29,325 --> 00:18:31,806 WE MEET ONLY IN PUBLIC PLACES. 361 00:18:31,849 --> 00:18:35,810 WE'RE LESS LIKELY TO TAKE PIECES OUT OF EACH OTHER. 362 00:18:35,853 --> 00:18:37,812 HAVE YOU EVER BEEN MARRIED? 363 00:18:37,855 --> 00:18:38,813 NO. 364 00:18:38,856 --> 00:18:40,293 LIVING WITH SOMEONE? 365 00:18:40,336 --> 00:18:41,816 NOT RIGHT NOW. 366 00:18:41,859 --> 00:18:43,818 IN THE MIDDLE OF SOMETHING? 367 00:18:43,861 --> 00:18:45,820 NO. IT'S BEEN A WHILE. 368 00:18:45,863 --> 00:18:47,822 "RIPE PLUMS ARE FALLING. 369 00:18:47,865 --> 00:18:49,824 "NOW THERE ARE ONLY SEVEN. 370 00:18:49,867 --> 00:18:52,827 "MAY A FINE LOVER COME FOR ME 371 00:18:52,870 --> 00:18:54,829 "NOW WHILE THERE'S STILL TIME. 372 00:18:54,872 --> 00:18:58,267 "RIPE PLUMS ARE FALLING. NOW THERE ARE ONLY THREE. 373 00:18:58,311 --> 00:19:00,835 "MAY A FINE LOVER COME FOR ME 374 00:19:00,878 --> 00:19:02,315 "WHILE THERE'S STILL TIME. 375 00:19:02,358 --> 00:19:04,317 "RIPE PLUMS ARE FALLING. 376 00:19:04,360 --> 00:19:07,320 "I LAY THEM IN A SHALLOW BASKET. 377 00:19:07,363 --> 00:19:10,453 "MAY A FINE LOVER COME FOR ME. 378 00:19:10,497 --> 00:19:12,890 TELL ME HIS NAME." 379 00:19:15,371 --> 00:19:17,156 WHAT'S THAT? 380 00:19:17,199 --> 00:19:18,853 CONFUCIUS. BOOK OF SONGS. 381 00:19:18,896 --> 00:19:20,637 DON'T YOU KNOW THAT? 382 00:19:23,379 --> 00:19:25,338 IT'S WONDERFUL POEMS, ESSENTIAL POEMS, 383 00:19:25,381 --> 00:19:27,340 POETRY STRIPPED TO THE SKIN, 384 00:19:27,383 --> 00:19:29,342 NOT TO THE BONE. 385 00:19:29,385 --> 00:19:31,866 DO YOU KNOW WHO PUBLISHES THAT? 386 00:19:31,909 --> 00:19:33,346 NO. NO. SORRY. 387 00:19:33,389 --> 00:19:35,348 I'LL LEND YOU MY COPY. 388 00:19:35,391 --> 00:19:37,350 I'M TRYING TO DECIDE 389 00:19:37,393 --> 00:19:39,874 WHAT SECTION OF THE CAVE DWELLER 390 00:19:39,917 --> 00:19:41,876 TO USE FOR THE READING. 391 00:19:41,919 --> 00:19:43,834 I THOUGHT THE MOTEL CHAPTER. 392 00:19:43,878 --> 00:19:45,880 SOMETHING WRONG WITH THAT? 393 00:19:45,923 --> 00:19:48,361 NO, NO. THAT'S A GOOD CHOICE, 394 00:19:48,404 --> 00:19:50,363 VERY VIVID, THAT WHOLE SECTION. 395 00:19:50,406 --> 00:19:53,409 HE'S SO HUNGRY FOR HER, IT'S UNSETTLING. 396 00:19:55,411 --> 00:19:56,412 YES. 397 00:19:57,935 --> 00:20:00,895 WHAT I LOVE MOST ABOUT YOUR WRITING-- 398 00:20:00,938 --> 00:20:02,157 YES, YES, YES. 399 00:20:02,201 --> 00:20:06,770 IS ITS DECEPTIVE ACCESSIBILITY. 400 00:20:06,814 --> 00:20:08,903 IT READS LIKE PULP FICTION, 401 00:20:08,946 --> 00:20:10,905 AND THEN YOU HEAR MUSIC. 402 00:20:10,948 --> 00:20:13,908 WILL YOU SAY THAT WHEN I CALL YOU 403 00:20:13,951 --> 00:20:16,911 WITH AN ANXIETY ATTACK AT 4 A.M.? 404 00:20:16,954 --> 00:20:18,652 YOU HAVE ANXIETY ATTACKS? 405 00:20:18,695 --> 00:20:19,957 YES. 406 00:20:21,437 --> 00:20:23,396 HOW ABOUT SOME DESSERT? 407 00:20:23,439 --> 00:20:24,919 NOT FOR ME. 408 00:20:24,962 --> 00:20:26,399 YES. TAKE SOME. 409 00:20:26,442 --> 00:20:27,922 [SPEAKING IN FRENCH] 410 00:20:27,965 --> 00:20:29,402 HAVE SOME HAZELNUT. 411 00:20:29,445 --> 00:20:30,968 [SPEAKING IN FRENCH] 412 00:20:33,449 --> 00:20:35,930 NEED ANYTHING SPECIAL FOR THE READING? 413 00:20:35,973 --> 00:20:37,932 OH, ALL THE EXOTIC EXTRAS-- 414 00:20:37,975 --> 00:20:40,935 A GLASS OF WATER, SOME GOOD READING LIGHT. 415 00:20:40,978 --> 00:20:43,416 SOMETIMES PEOPLE DO HAVE ODD REQUESTS. 416 00:20:43,459 --> 00:20:45,418 PORTER LOVETT HAD US-- 417 00:20:45,461 --> 00:20:47,420 CAN I TRY THESE? 418 00:20:47,463 --> 00:20:49,422 BUILD THIS ENORMOUS CRADLE, 419 00:20:49,465 --> 00:20:51,424 AND HE CLIMBED INTO IT-- 420 00:20:51,467 --> 00:20:52,947 IT'S GOOD. 421 00:20:52,990 --> 00:20:55,428 AND STAYED THERE THE WHOLE READING. 422 00:20:55,471 --> 00:20:58,431 I'LL SAVE YOUR DEAR LIONEL THAT ONE EXPENSE. 423 00:20:58,474 --> 00:21:00,955 WHAT'S HE LIKE TO WORK FOR? 424 00:21:00,998 --> 00:21:03,958 HE'S SWEET, BUT DOES HE PAY YOU ANYTHING? 425 00:21:04,001 --> 00:21:06,439 YES, BUT HE DOESN'T GIVE ME 426 00:21:06,482 --> 00:21:07,962 TWO-HOUR LUNCH BREAKS. 427 00:21:08,005 --> 00:21:09,137 IZZY... 428 00:21:11,357 --> 00:21:14,490 LOTS OF PLUMS LEFT ON YOUR TREE. 429 00:21:19,016 --> 00:21:20,888 SEE YOU AT THE READING. 430 00:21:27,460 --> 00:21:30,463 THE IMPORTANT THING IS YOU SHOULDN'T GO NAKED. 431 00:21:30,506 --> 00:21:32,465 I'M NOT GOING AT ALL. 432 00:21:32,508 --> 00:21:34,989 YOU'RE GOING, BUT NOT LIKE THIS. 433 00:21:35,032 --> 00:21:37,992 YOU'LL PUT ON A NICE DRESS AND STOCKINGS. 434 00:21:38,035 --> 00:21:39,472 NO NAKED LEGS. 435 00:21:39,515 --> 00:21:40,777 FORGET IT. 436 00:21:48,045 --> 00:21:49,525 [SPEAKING IN KOREAN] 437 00:21:52,049 --> 00:21:53,486 OH, YEAH? 438 00:21:53,529 --> 00:21:56,489 YOU DIDN'T KNOW YOUR BUBBIE SPEAKS KOREAN. 439 00:21:56,532 --> 00:21:59,492 YOU LOOK LIKE A MILLION BUCKS, MR. KIM. 440 00:21:59,535 --> 00:22:01,015 HOW'S BUSINESS? 441 00:22:01,058 --> 00:22:02,495 IT'S SO-SO. 442 00:22:02,538 --> 00:22:03,670 YEAH? 443 00:22:03,713 --> 00:22:06,020 LISTEN, MY GIRL. FRIENDS IS FRIENDS, 444 00:22:06,063 --> 00:22:09,023 AND YOU CAN DO THIS WITH THEM. 445 00:22:09,066 --> 00:22:11,504 A HUSBAND'S A HUSBAND FOR LIFE. 446 00:22:11,547 --> 00:22:13,506 MAYBE I DON'T WANT ONE. 447 00:22:13,549 --> 00:22:17,031 IF I DID, HE WOULDN'T BE A PICKLE MAN. 448 00:22:17,074 --> 00:22:20,208 GET OFF YOUR HIGH HORSE, MISS UNIVERSE. 449 00:22:20,251 --> 00:22:22,515 THIS MAN'S JUST LOOKIN'. 450 00:22:22,558 --> 00:22:24,691 HE AIN'T ASKIN' TO BUY. 451 00:22:29,086 --> 00:22:30,566 [DOORBELL RINGS] 452 00:22:34,091 --> 00:22:35,049 HELLO. 453 00:22:35,092 --> 00:22:38,052 HELLO. COME IN. COME IN. 454 00:22:38,095 --> 00:22:40,097 MRS. MANDELBAUM. 455 00:22:42,578 --> 00:22:45,538 HIS FATHER JUST DIED LAST YEAR. 456 00:22:45,581 --> 00:22:47,540 THERE'S A YOUNGER BROTHER MICKIE. 457 00:22:47,583 --> 00:22:49,542 NOT MUCH THERE, 458 00:22:49,585 --> 00:22:51,805 SO IT'S SAM'S BUSINESS, NATURALLY. 459 00:22:58,594 --> 00:23:01,554 WHAT ARE YOU WAITING FOR? SIT DOWN. 460 00:23:01,597 --> 00:23:03,556 THESE ARE FOR YOU. 461 00:23:03,599 --> 00:23:05,340 THANK YOU. 462 00:23:05,384 --> 00:23:07,690 YOU MADE A LITTLE SPREAD, IDA? 463 00:23:10,954 --> 00:23:14,567 THAT'S ME-- 21 YEARS OLD. 464 00:23:14,610 --> 00:23:16,569 CHEEKS LIKE APPLES. 465 00:23:16,612 --> 00:23:19,572 THEY FOUGHT LIKE CATS AND DOGS FOR ME. 466 00:23:19,615 --> 00:23:21,095 I GOT RINGS. 467 00:23:21,138 --> 00:23:24,098 BIG CHOCOLATE CAKES FROM THE FANCIEST BAKERIES 468 00:23:24,141 --> 00:23:26,100 THEY BROUGHT TO MY MOTHER. 469 00:23:26,143 --> 00:23:28,319 I JUST LOOKED. I LISTENED. 470 00:23:28,363 --> 00:23:31,584 THEY ALL HAD THE SAME SONG AND DANCE. 471 00:23:31,627 --> 00:23:34,108 THEY ALL WANTED SWEET IDELA. 472 00:23:34,151 --> 00:23:36,458 THEY ALL WANTED ME. 473 00:23:36,502 --> 00:23:39,592 SO, SAM, TALK TO US. 474 00:23:39,635 --> 00:23:41,463 GIVE US THE PICTURE, YES? 475 00:23:41,507 --> 00:23:45,075 WELL, WHAT DO YOU WANT TO KNOW? 476 00:23:45,119 --> 00:23:48,122 YOUR FUTURE, YOUR PLANS, WHAT YOU DREAM ABOUT, 477 00:23:48,165 --> 00:23:51,952 YOUR THOUGHTS, WHAT YOU DO WITH YOURSELF, ANYTHING. 478 00:23:51,995 --> 00:23:55,129 WELL, I'M A PRETTY HAPPY FELLOW, YOU KNOW. 479 00:23:55,172 --> 00:23:58,132 I LIKE TO GET UP IN THE MORNING 480 00:23:58,175 --> 00:24:00,134 AND HEAR THE BIRDS TWEET-TWEET, 481 00:24:00,177 --> 00:24:03,354 WALK TO SHUL,MAKE THE MORNING PRAYERS, 482 00:24:03,398 --> 00:24:05,139 HAVE COFFEE AT SCHLOMO'S, 483 00:24:05,182 --> 00:24:06,923 9:00 MY DOORS OPEN. 484 00:24:06,967 --> 00:24:08,621 IT BEGINS. 485 00:24:08,664 --> 00:24:09,970 AIN'T HE SOMETHING? 486 00:24:10,013 --> 00:24:14,627 FRESH, NEW, LIKES THE MODERN WAY, 487 00:24:14,670 --> 00:24:17,499 BUT HE UNDERSTANDS WHAT'S GOOD. 488 00:24:17,543 --> 00:24:20,154 I GOT TO TELL YOU, SAM. 489 00:24:20,197 --> 00:24:22,635 I'VE BEEN BUYING PICKLES FROM HIAM 490 00:24:22,678 --> 00:24:24,637 FOR 30 YEARS, MAYBE. 491 00:24:24,680 --> 00:24:26,639 DON'T HOLD IT AGAINST ME. 492 00:24:26,682 --> 00:24:29,859 I LOOK AT IT THIS WAY, MRS. KANTOR-- 493 00:24:29,903 --> 00:24:33,167 I'M DOING YOU A FAVOR GIVING YOU MY PICKLES. 494 00:24:33,210 --> 00:24:34,647 THEY'RE THE BEST. 495 00:24:34,690 --> 00:24:37,650 HE KNOWS WHAT'S WHAT. THIS IS CONFIDENCE! 496 00:24:37,693 --> 00:24:40,653 WHAT DO YOU HAVE TO SAY, ISABELLE? 497 00:24:40,696 --> 00:24:42,176 EXCUSE ME? 498 00:24:42,219 --> 00:24:43,177 IDELA, 499 00:24:43,220 --> 00:24:45,658 I WANT TO TAKE A PEEK 500 00:24:45,701 --> 00:24:47,703 AT THE LIVING ROOM CURTAINS. 501 00:24:49,226 --> 00:24:50,314 WHAT? 502 00:24:50,358 --> 00:24:53,187 SHOW ME HOW YOU MAKE THEM SO NICE. 503 00:24:53,230 --> 00:24:56,712 I CAN WALK FOR MYSELF VERY NICELY, THANK YOU. 504 00:25:02,239 --> 00:25:03,676 LISTEN... 505 00:25:03,719 --> 00:25:05,199 YES? 506 00:25:05,242 --> 00:25:08,202 I DIDN'T HAVE ANYTHING TO DO WITH THIS. 507 00:25:08,245 --> 00:25:10,204 IT WASN'T MY IDEA. 508 00:25:10,247 --> 00:25:12,206 YOU FEEL FUNNY, HUH? 509 00:25:12,249 --> 00:25:15,209 THIS ISN'T HOW I LIVE OR DO THINGS. 510 00:25:15,252 --> 00:25:17,211 HOW DO YOU LIVE? 511 00:25:17,254 --> 00:25:19,692 WELL, I DON'T LIVE DOWN HERE. 512 00:25:19,735 --> 00:25:21,215 I LIVE UPTOWN. 513 00:25:21,258 --> 00:25:22,695 IS THAT RIGHT? 514 00:25:22,738 --> 00:25:24,697 A MILLION MILES FROM HERE. 515 00:25:24,740 --> 00:25:26,699 THIS ISN'T YOUR STYLE. 516 00:25:26,742 --> 00:25:29,223 THIS ISN'T MY STYLE. 517 00:25:29,266 --> 00:25:31,704 SOMETIMES YOU CAN CHANGE YOUR STYLE. 518 00:25:31,747 --> 00:25:34,707 I'M SORRY YOU HAD TO GO THROUGH THIS. 519 00:25:34,750 --> 00:25:37,231 I HAVE THIS FRIEND HARRY SHIPMAN, 520 00:25:37,274 --> 00:25:39,712 SHIPMAN IMPORTS-- LOX, CAVIAR, FANCY STUFF. 521 00:25:39,755 --> 00:25:42,715 FOR YEARS HE WORE THIS LITTLE BROWN CAP, 522 00:25:42,758 --> 00:25:46,240 BRIM PULLED DOWN, YOU WONDERED HOW HE COULD SEE. 523 00:25:46,283 --> 00:25:48,242 ONE DAY, HE'S CROSSING DELANCEY, 524 00:25:48,285 --> 00:25:50,244 THIS BIG WIND COMES. 525 00:25:50,287 --> 00:25:51,724 POOF! IT'S GONE. 526 00:25:51,767 --> 00:25:55,249 HE CHASES IT, BUT A TRUCK GETS THERE FIRST. 527 00:25:55,292 --> 00:25:57,730 HE COMES IN TO ME CRYING. 528 00:25:57,773 --> 00:25:59,732 "HARRY," I SAID, "HERE'S $5.00. 529 00:25:59,775 --> 00:26:03,257 "GO ACROSS TO FINKLE AND BUY A NEW ONE, 530 00:26:03,300 --> 00:26:05,259 BUT FORGET THE BROWN CAP." 531 00:26:05,302 --> 00:26:07,740 HE COMES BACK AN HOUR LATER. 532 00:26:07,783 --> 00:26:11,744 HE'S A NEW MAN. A GRAY FELT STETSON. A BEAUTY. 533 00:26:11,787 --> 00:26:14,747 THE NEXT DAY, HE MAKES AN ENGAGEMENT. 534 00:26:14,790 --> 00:26:16,749 BETWEEN YOU AND ME, 535 00:26:16,792 --> 00:26:20,753 HE MUST HAVE GIVEN FINKLE SOME NOVA ON THE SIDE. 536 00:26:20,796 --> 00:26:22,755 THAT WAS NO $5.00 HAT. 537 00:26:22,798 --> 00:26:27,281 A MAN GETS A STETSON AND A BRIDE IN THE BARGAIN. 538 00:26:27,324 --> 00:26:28,761 VERY ROMANTIC. 539 00:26:28,804 --> 00:26:33,287 HE HAD HIS EYE ON HER, BUT SHE COULDN'T SEE HIM. 540 00:26:33,330 --> 00:26:36,290 THE CAP. SHE COULDN'T SEE HIS EYES. 541 00:26:36,333 --> 00:26:37,639 SAM. 542 00:26:37,683 --> 00:26:39,119 WHAT'S THE PLAN? 543 00:26:39,162 --> 00:26:41,643 YOU FORGET, IDA, WHY I'M HERE. 544 00:26:41,687 --> 00:26:44,646 MAYBE YOU'LL LET ME DO MY JOB. 545 00:26:44,690 --> 00:26:47,127 HENKA, GIVE YOUR MOUTH A REST. 546 00:26:47,170 --> 00:26:48,650 IT'LL THANK YOU. 547 00:26:48,694 --> 00:26:50,652 SAM, WHAT'S THE PLAN? 548 00:26:50,696 --> 00:26:52,132 I THOUGHT SATURDAY NIGHT, 549 00:26:52,175 --> 00:26:53,655 IF YOU'RE FREE, 550 00:26:53,699 --> 00:26:56,136 I COULD TAKE ISABELLE TO DINNER. 551 00:26:56,179 --> 00:26:59,792 MY COUSIN MISHKA, THE RUMANIAN PALACE. 552 00:26:59,835 --> 00:27:02,838 HE'LL TAKE GOOD CARE OF YOU. 553 00:27:04,361 --> 00:27:07,321 THANK YOU, BUT I DON'T THINK SO. 554 00:27:07,364 --> 00:27:10,324 WHAT'S THIS? 555 00:27:10,367 --> 00:27:12,805 IT'S BEEN LOVELY MEETING YOU, SAM, 556 00:27:12,848 --> 00:27:15,329 AND I APPRECIATE YOUR KIND INVITATION, 557 00:27:15,372 --> 00:27:18,332 BUT I DON'T THINK I WANT TO GO. 558 00:27:18,375 --> 00:27:20,377 THANK YOU VERY MUCH. 559 00:27:22,553 --> 00:27:25,034 WELL, SHE SPOKE. 560 00:27:26,862 --> 00:27:30,823 YOU LOOK. YOU MEET. YOU TRY. YOU SEE. 561 00:27:30,866 --> 00:27:34,870 SOMETIMES IT FITS, SOMETIMES IT DON'T. 562 00:27:39,614 --> 00:27:41,834 [SPEAKING YIDDISH] 563 00:27:41,877 --> 00:27:44,837 YOU SHOULD TRY A NEW HAT SOMETIME, ISABELLE. 564 00:27:44,880 --> 00:27:47,404 IT MIGHT LOOK GOOD ON YOU. 565 00:27:53,236 --> 00:27:56,370 "IT HAD BEEN A VERY LONG TIME 566 00:27:56,413 --> 00:27:59,373 "SINCE ANNIE HAD SEEN HIM IN HIS UNDERWEAR, 567 00:27:59,416 --> 00:28:01,375 "AND SHE WAS ALMOST SADDENED 568 00:28:01,418 --> 00:28:06,336 "BY THE SIGHT OF HIM IN THOSE PLAIN WHITE JOCKEY SHORTS. 569 00:28:06,380 --> 00:28:08,861 HE HAD ALWAYS WORN PATTERNED FABRIC." 570 00:28:08,904 --> 00:28:10,863 HE'S RUNNING WAY OVER. 571 00:28:10,906 --> 00:28:13,039 WHAT CAN I DO? 572 00:28:13,082 --> 00:28:18,522 "HIS BODY HAD BEEN VERY NICE. 573 00:28:18,566 --> 00:28:22,570 "SHE WAS SPREADING MOISTURE CREAM UP AND DOWN HER LEGS 574 00:28:22,613 --> 00:28:25,573 "WHEN HE CAME OUT OF THE SHOWER. 575 00:28:25,616 --> 00:28:27,575 "HE MOVED UP BEHIND HER 576 00:28:27,618 --> 00:28:30,883 AND BUMPED AGAINST HER PLAYFULLY." 577 00:28:30,926 --> 00:28:32,885 I CAN'T. LIONEL, I CAN'T. 578 00:28:32,928 --> 00:28:34,887 "SHE TRIED TO SOUND EXCITED. 579 00:28:34,930 --> 00:28:37,890 "HE PULLED THE DAMP TOWEL FROM THE RACK. 580 00:28:37,933 --> 00:28:39,892 THIS PLACE IS VERY COUNTRY." 581 00:28:39,935 --> 00:28:41,415 I'M SORRY. 582 00:28:41,458 --> 00:28:43,417 WE'LL HAVE TO STOP THERE, 583 00:28:43,460 --> 00:28:48,074 OR WE WON'T HAVE TIME TO SELL ANY OF YOUR BOOKS. 584 00:28:48,117 --> 00:28:49,640 AUDIBLE SIGH. 585 00:28:51,947 --> 00:28:53,906 THANK YOU, ANTON MAES. 586 00:28:53,949 --> 00:28:57,910 MR. MAES WILL BE SIGNING COPIES OF THE CAVE DWELLER 587 00:28:57,953 --> 00:28:59,781 DOWNSTAIRS IN THE FRONT OF THE STORE. 588 00:29:00,434 --> 00:29:01,783 THERE YOU GO. 589 00:29:01,827 --> 00:29:04,220 YOU'LL LIKE THIS ONE EVEN BETTER. 590 00:29:06,135 --> 00:29:08,485 ARM FALLING OFF? 591 00:29:08,529 --> 00:29:10,139 THEY LIKE IT. 592 00:29:10,183 --> 00:29:11,358 NEXT ONE. 593 00:29:11,401 --> 00:29:12,838 YOU'RE WELCOME. 594 00:29:12,881 --> 00:29:14,230 THANK YOU. 595 00:29:14,274 --> 00:29:15,928 THANK YOU. 596 00:29:17,277 --> 00:29:18,844 THERE YOU GO. 597 00:29:18,887 --> 00:29:20,367 THAT IT? 598 00:29:20,410 --> 00:29:21,847 I THINK SO. 599 00:29:21,890 --> 00:29:23,370 OH! MMM! 600 00:29:23,413 --> 00:29:25,851 I HOPE IT DIDN'T DISAPPOINT YOU. 601 00:29:25,894 --> 00:29:28,375 YOU ENJOY DOING THIS, DON'T YOU? 602 00:29:28,418 --> 00:29:29,855 BEATS WRITING. 603 00:29:29,898 --> 00:29:32,858 GIVE ME A MINUTE, AND WE'LL GO. 604 00:29:32,901 --> 00:29:35,861 MY TURN TO TAKE YOU TO LUNCH. 605 00:29:35,904 --> 00:29:37,384 I'M STARVING. 606 00:29:37,427 --> 00:29:39,865 THIS IS MYLA BONDY, MY ASSISTANT. 607 00:29:39,908 --> 00:29:41,388 IZZY GROSSMAN. 608 00:29:41,431 --> 00:29:42,868 EX-ASSISTANT. 609 00:29:42,911 --> 00:29:45,871 SHE JUST WON A FULBRIGHT TO OXFORD. 610 00:29:45,914 --> 00:29:47,873 IZZY INVITED ME FOR LUNCH. 611 00:29:47,916 --> 00:29:50,876 I'LL BET SHE DIDN'T BARGAIN ON YOUR ENTOURAGE. 612 00:29:50,919 --> 00:29:52,878 IT'S MYLA'S BIG SENDOFF TODAY. 613 00:29:52,921 --> 00:29:55,881 DO YOU MIND IF SHE JOINS US? 614 00:29:55,924 --> 00:29:59,145 OH, NO. OF COURSE NOT. 615 00:29:59,188 --> 00:30:01,582 THAT WAS JUST SENSATIONAL, IZZY. THANKS. 616 00:30:01,625 --> 00:30:03,062 ONE MORE. 617 00:30:03,105 --> 00:30:04,585 NO. 618 00:30:04,628 --> 00:30:06,065 ONE MORE. 619 00:30:06,108 --> 00:30:08,067 OH, ARE YOU ALL RIGHT? 620 00:30:08,110 --> 00:30:09,590 MICHAEL FRAMINGHAM. 621 00:30:09,633 --> 00:30:11,592 WHAT? LET ME GET THIS. 622 00:30:11,635 --> 00:30:14,073 HAMSTEAD HEATH, LONDON. 623 00:30:14,116 --> 00:30:18,599 UH, HOW ABOUT MALCOLM BRIGHT? 624 00:30:18,642 --> 00:30:20,079 NO, THANKS. 625 00:30:20,122 --> 00:30:22,603 LET HIM RECIPROCATE ALL OVER YOU. 626 00:30:22,646 --> 00:30:24,605 YOU WON'T BE LONELY. 627 00:30:24,648 --> 00:30:26,607 YEAH, YOU'VE SEEN TO THAT. 628 00:30:26,650 --> 00:30:28,565 COME ON. 629 00:30:28,609 --> 00:30:31,090 WHY DIDN'T YOU DRINK ANY WINE? 630 00:30:31,133 --> 00:30:34,093 I HAVE TO GO BACK TO WORK. 631 00:30:34,136 --> 00:30:37,618 THIS WASON LIONEL? YOU DIDN'T PAY FOR THIS? 632 00:30:37,661 --> 00:30:39,098 NO. 633 00:30:39,141 --> 00:30:41,100 THANKS AGAIN. THIS IS ME. 634 00:30:41,143 --> 00:30:42,666 BYE. YOU'RE WELCOME. 635 00:30:44,146 --> 00:30:47,454 YOU WERE VERY HELPFUL THIS MORNING. 636 00:30:47,497 --> 00:30:49,630 IT WAS A GREAT READING. 637 00:30:49,673 --> 00:30:51,110 THANKS TO YOU. 638 00:30:51,153 --> 00:30:53,112 BYE. 639 00:31:05,864 --> 00:31:07,300 LADIES AND GENTLEMEN, 640 00:31:07,343 --> 00:31:10,303 I'D LIKE TO TAKE A FEW MOMENTS 641 00:31:10,346 --> 00:31:12,305 TO EXPLAIN TO YOU 642 00:31:12,348 --> 00:31:14,307 EXACTLY WHAT WE'LL BE DOING. 643 00:31:14,350 --> 00:31:17,310 FIRSTLY, WE'RE GOING TO BE CIRCUMCISING THIS BABY 644 00:31:17,353 --> 00:31:20,922 IN ACCORDANCE WITH THE COVENANT SIGNED BY ABRAHAM AND GOD, 645 00:31:20,966 --> 00:31:23,969 WHERE GOD PROMISED TO MAKE A GREAT NATION 646 00:31:24,012 --> 00:31:25,971 OF THE SEED OF ABRAHAM. 647 00:31:26,014 --> 00:31:27,842 FOR THE NUMERICAL VALUE... 648 00:31:27,886 --> 00:31:29,322 Hi, girls. 649 00:31:29,365 --> 00:31:31,846 ...OF THE WORD OCTA IS EIGHT. 650 00:31:31,890 --> 00:31:33,326 Our first baby. 651 00:31:33,369 --> 00:31:34,849 Where's Ricki? 652 00:31:34,893 --> 00:31:36,329 In the bedroom. 653 00:31:36,372 --> 00:31:38,331 She couldn't take it. 654 00:31:38,374 --> 00:31:40,986 BUT HE MAY START TO CRY, 655 00:31:41,029 --> 00:31:42,988 AND EVERYBODY AUTOMATICALLY THINKS 656 00:31:43,031 --> 00:31:46,165 THAT HE IS PERCEIVING PAIN. 657 00:31:46,208 --> 00:31:48,167 THE TRUTH OF THE MATTER 658 00:31:48,210 --> 00:31:51,170 IS THAT THE FORESKIN OF AN INFANT 659 00:31:51,213 --> 00:31:53,694 IS RELATIVELY INSENSITIVE TO PAIN. 660 00:31:53,737 --> 00:31:55,696 WHY, THEN, IS HE CRYING? 661 00:31:55,739 --> 00:31:57,741 A--HE WILL BE COLD. 662 00:31:57,785 --> 00:31:59,613 B--BABIES CRY. 663 00:31:59,656 --> 00:32:02,181 HE LOOKS LIKE RICKI, DON'T HE? 664 00:32:02,224 --> 00:32:04,183 HE'S CERTAINLY GOT HER BALLS. 665 00:32:04,226 --> 00:32:07,316 THE LADIES WILL SEE THAT THE GENTLEMEN 666 00:32:07,360 --> 00:32:10,189 START WITH THEIR HANDS AT THEIR SIDES 667 00:32:10,232 --> 00:32:12,756 AND AS IT PROGRESSES, 668 00:32:12,800 --> 00:32:14,584 THEY GO LIKE THIS. 669 00:32:17,718 --> 00:32:19,720 IS THE FATHER HERE? 670 00:32:19,763 --> 00:32:21,200 HE'S OVER THERE. 671 00:32:21,243 --> 00:32:22,723 ...ABRAHAM, OUR FOREFATHER, 672 00:32:22,766 --> 00:32:24,768 "WALK BEFORE ME..." 673 00:32:24,812 --> 00:32:26,727 ARE THEY LIVING TOGETHER? 674 00:32:26,770 --> 00:32:28,207 NOT YET. 675 00:32:28,250 --> 00:32:30,731 SHE'S DOING THE BABY BY HERSELF. 676 00:32:30,774 --> 00:32:33,212 "THAT THE CREATOR, BLESSED IS HE, 677 00:32:33,255 --> 00:32:36,345 HAS COMMANDED US TO CIRCUMCISE." 678 00:32:37,999 --> 00:32:40,219 [BABY CRYING] 679 00:32:40,262 --> 00:32:41,742 [SPEAKING IN HEBREW] 680 00:32:41,785 --> 00:32:43,744 KAREN, ARE YOU ALL RIGHT? 681 00:32:43,787 --> 00:32:46,268 JUST TELL ME WHEN IT'S OVER. 682 00:32:47,661 --> 00:32:50,229 OH, LOOK AT THAT LITTLE DOLL. 683 00:32:50,272 --> 00:32:52,753 AND NOW BART'S BELOVED AUNT MIRIAM, 684 00:32:52,796 --> 00:32:55,234 WHO'S FILLING IN FOR HIS GRANDPARENTS, 685 00:32:55,277 --> 00:32:58,237 WHO COULD NOT BE WITH US TODAY, 686 00:32:58,280 --> 00:33:00,761 WILL RETURN BART TO HIS CRIB. 687 00:33:00,804 --> 00:33:02,241 OH, HERE'S MOMMY. 688 00:33:02,284 --> 00:33:05,244 "EVEN AS HE HAS ENTERED INTO THE COVENANT..." 689 00:33:05,287 --> 00:33:07,028 SWEET LITTLE BOYCHIK. 690 00:33:07,072 --> 00:33:10,379 "...OF THE STUDY OF THE TORAH," 691 00:33:10,423 --> 00:33:12,425 "THE DOING OF GOOD DEEDS..." 692 00:33:12,468 --> 00:33:14,427 "THE DOING OF GOOD DEEDS..." 693 00:33:14,470 --> 00:33:15,950 "AND MARITAL HAPPINESS." 694 00:33:15,994 --> 00:33:17,430 "AND MARITAL HAPPINESS." 695 00:33:17,473 --> 00:33:18,648 RIGHT. 696 00:33:18,692 --> 00:33:20,041 L'CHAYIM. 697 00:33:20,085 --> 00:33:21,782 L'CHAYIM. 698 00:33:21,825 --> 00:33:23,305 NICE WORK, RABBI. 699 00:33:23,349 --> 00:33:24,828 AHEM. 700 00:33:24,872 --> 00:33:26,830 DID YOU SEE THIS COMING? 701 00:33:26,874 --> 00:33:29,833 I'M SURE SHE'S WANTED TO HAVE A BABY 702 00:33:29,877 --> 00:33:31,835 FOR A LONG TIME. 703 00:33:31,879 --> 00:33:34,838 YEAH. HER OWN MOTHER, MY OWN SISTER, 704 00:33:34,882 --> 00:33:37,841 DIDN'T HAVE THE GUTS TO SHOW UP. 705 00:33:37,885 --> 00:33:39,669 THAT'S TERRIBLE. 706 00:33:39,713 --> 00:33:41,149 TERRIBLE, ISN'T IT? 707 00:33:41,193 --> 00:33:44,674 AND WHEN I WAS YOUR AGE, I WAS MARRIED. 708 00:33:44,718 --> 00:33:46,676 I HAD A LIFE. 709 00:33:46,720 --> 00:33:49,157 AUNT MIRIAM, WOULD YOU DO THIS? 710 00:33:49,201 --> 00:33:50,680 SURE. WHAT? 711 00:33:50,724 --> 00:33:52,160 TAKE OUR PICTURE. 712 00:33:52,204 --> 00:33:54,162 IZZY, COME OVER HERE. 713 00:33:54,206 --> 00:33:56,295 SURE, IT'S EASY. 714 00:33:56,338 --> 00:33:58,558 ALL RIGHT, LET'S LINE UP. 715 00:33:58,601 --> 00:34:01,169 I HAVEN'T SEEN YOU GIRLS TOGETHER LIKE THIS 716 00:34:01,213 --> 00:34:02,692 SINCE HIGH SCHOOL. 717 00:34:02,736 --> 00:34:04,520 SAY "CHEESECAKE." 718 00:34:04,564 --> 00:34:06,914 CHEESECAKE. CHEESECAKE. 719 00:34:08,568 --> 00:34:10,048 WHAT WAS THAT? 720 00:34:10,091 --> 00:34:12,528 THAT WAS, AS THEY SAY, INTENSE. 721 00:34:12,572 --> 00:34:14,530 WILL SHE BE ALL RIGHT? 722 00:34:14,574 --> 00:34:16,532 ABSOLUTELY. SHE'S A SURVIVOR. 723 00:34:16,576 --> 00:34:19,057 I CAN'T GO BACK TO WORK. 724 00:34:19,100 --> 00:34:21,320 I DON'T REMEMBER WHERE I LIVE. 725 00:34:21,363 --> 00:34:25,889 AND I'M SITTING THERE, AND MY FACE IS STARTING TO HURT. 726 00:34:25,933 --> 00:34:28,370 I'M THINKING, "I GOT 45 MINUTES 727 00:34:28,414 --> 00:34:31,373 "TO SHOW THIS GUY HOW LOVING, SMART, 728 00:34:31,417 --> 00:34:34,898 SUPPORTIVE, FUNNY, INDEPENDENT, AND SEXY I AM." 729 00:34:34,942 --> 00:34:38,119 AND ALL I CAN REALLY THINK ABOUT 730 00:34:38,163 --> 00:34:41,688 IS HOW I'D RATHER BE WATCHING THE BASEBALL GAME. 731 00:34:41,731 --> 00:34:45,735 I HAVE A FRIEND WHO THINKS IT'S ALL A MYTH. 732 00:34:45,779 --> 00:34:47,215 WHAT? 733 00:34:47,259 --> 00:34:48,738 THE APPALLING LACK 734 00:34:48,782 --> 00:34:51,132 OF DESIRABLE, SINGLE, AVAILABLE MEN. 735 00:34:51,176 --> 00:34:54,962 OH, YEAH? TELL YOUR FRIEND TO GIVE ME A CALL. 736 00:34:55,005 --> 00:34:58,008 NO, I'M SWIMMING. THANK YOU. 737 00:34:58,052 --> 00:35:02,012 I WISH I KNEW SOMEONE TO FIX YOU UP WITH. 738 00:35:02,056 --> 00:35:05,581 ALL DAVID AND I KNOW ARE OLD MARRIED COUPLES. 739 00:35:05,625 --> 00:35:07,583 ACTUALLY, I AM SEEING SOMEONE. 740 00:35:07,627 --> 00:35:09,585 YOU KNOW ANTON MAES? 741 00:35:09,629 --> 00:35:12,545 THE WRITER? 742 00:35:12,588 --> 00:35:16,766 [RING] 743 00:35:16,810 --> 00:35:19,247 [RING] 744 00:35:19,291 --> 00:35:20,770 HELLO? 745 00:35:20,814 --> 00:35:22,250 MORNING, GLORY! 746 00:35:22,294 --> 00:35:24,252 WHAT NATIONAL HOLIDAY IS THIS? 747 00:35:24,296 --> 00:35:26,298 HI, PUSSELA. 748 00:35:26,341 --> 00:35:28,778 DADDY'S BEEN ORGANIZING THIS ALL WEEK. 749 00:35:28,822 --> 00:35:31,085 ♪ MMM 750 00:35:31,129 --> 00:35:36,395 ♪ HAPPY BIRTHDAY TO YOU 751 00:35:36,438 --> 00:35:42,270 ♪ HAPPY BIRTHDAY TO YOU 752 00:35:42,314 --> 00:35:45,360 ♪ HAPPY BIRTHDAY 753 00:35:45,404 --> 00:35:49,973 ♪ DEAR IZZY 754 00:35:50,017 --> 00:35:56,806 ♪ HAPPY BIRTHDAY TO YOU ♪ 755 00:35:56,850 --> 00:35:58,808 YAY! 756 00:35:58,852 --> 00:36:01,811 ♪ AND MANY MORE ♪ 757 00:36:01,855 --> 00:36:03,291 HAPPY BIRTHDAY! 758 00:36:03,335 --> 00:36:06,294 YOU HAVE ANYTHING SPECIAL PLANNED FOR TONIGHT? 759 00:36:06,338 --> 00:36:07,817 DINNER AT LUTECE. 760 00:36:07,861 --> 00:36:09,167 WOW! 761 00:36:12,474 --> 00:36:14,824 TWO SPECIALS WITH EVERYTHING, PLEASE. 762 00:36:14,868 --> 00:36:16,304 [RAP MUSIC PLAYING] 763 00:36:16,348 --> 00:36:18,306 EXTRA SAUERKRAUT ON HERS. 764 00:36:18,350 --> 00:36:19,873 IT'S HER BIRTHDAY. 765 00:36:22,876 --> 00:36:24,878 OH, PLEASE, PUT THAT AWAY. 766 00:36:28,882 --> 00:36:30,362 [SIREN] 767 00:36:43,244 --> 00:36:46,465 ♪ SOME ENCHANTED EVENING 768 00:36:46,508 --> 00:36:49,598 ♪ YOU WILL SEE A STRANGER ♪ 769 00:36:49,642 --> 00:36:51,774 ♪ YOU WILL SEE A STRANGER ♪ 770 00:36:51,818 --> 00:36:54,647 ♪ ACROSS A CROWDED ROOM 771 00:36:54,690 --> 00:36:57,345 ♪ AND SOMEHOW YOU'LL KNOW 772 00:36:57,389 --> 00:36:59,695 ♪ YOU'LL KNOW EVEN THEN 773 00:36:59,739 --> 00:37:05,571 ♪ YOU'LL KNOW YOU WILL SEE HIM AGAIN AND AGAIN ♪ 774 00:37:05,614 --> 00:37:07,660 ♪ SOME ENCHANTED EVENING 775 00:37:07,703 --> 00:37:10,663 ♪ YOU WILL HEAR HIM LAUGHING 776 00:37:10,706 --> 00:37:14,884 ♪ YOU WILL HEAR HIM LAUGHING ACROSS A CROWDED ROOM ♪ 777 00:37:14,928 --> 00:37:17,539 ♪ THEN FLY TO HIS SIDE 778 00:37:17,583 --> 00:37:20,325 ♪ AND MAKE HIM YOUR OWN 779 00:37:20,368 --> 00:37:27,201 ♪ OR ALL THROUGH YOUR LIFE YOU WILL DREAM ALL ALONE ♪ 780 00:37:27,245 --> 00:37:28,942 ♪ ONCE YOU HAVE FOUND HIM 781 00:37:28,985 --> 00:37:30,552 ♪ NEVER LET HIM GO 782 00:37:30,596 --> 00:37:33,555 ♪ ONCE YOU HAVE FOUND HIM 783 00:37:33,599 --> 00:37:40,606 ♪ NEVER LET HIM GO ♪ 784 00:37:45,088 --> 00:37:47,569 I PASSED THE PICKLE MAN YESTERDAY. 785 00:37:47,613 --> 00:37:49,571 YOU MIXED HIM UP PLENTY, 786 00:37:49,615 --> 00:37:51,094 YOU MURDERER. 787 00:37:51,138 --> 00:37:52,574 BUBBIE, PLEASE. 788 00:37:52,618 --> 00:37:55,098 YOU DON'T KNOW A GOOD BOY 789 00:37:55,142 --> 00:37:57,100 WHEN YOU SEE ONE. 790 00:37:57,144 --> 00:38:00,103 SOMETHING MUST BE HAPPENING BETWEEN TWO PEOPLE. 791 00:38:00,147 --> 00:38:02,105 THERE'S GOT TO BE HEAT. 792 00:38:02,149 --> 00:38:03,629 YOU TALK ABOUT HEAT. 793 00:38:04,978 --> 00:38:06,458 [DOORBELL RINGS] 794 00:38:09,461 --> 00:38:11,941 AREN'T YOU GOING TO ANSWER IT? 795 00:38:11,985 --> 00:38:14,422 NAH, IT'S THOSE KIDS, THOSE ANIMALS. 796 00:38:14,466 --> 00:38:17,425 THEY PULL THE BUTTONS OFF THE ELEVATORS. 797 00:38:17,469 --> 00:38:19,949 THEY MARK UP THE WALLS LIKE-- 798 00:38:19,993 --> 00:38:21,951 ISABELLE, DON'T! DON'T! DON'T OPEN. 799 00:38:21,995 --> 00:38:23,823 ISABELLE, DON'T OPEN. 800 00:38:23,866 --> 00:38:25,477 ISABELLE! 801 00:38:28,001 --> 00:38:29,481 HELLO. 802 00:38:34,486 --> 00:38:35,965 GOT IT. 803 00:38:36,009 --> 00:38:37,489 THANK YOU. 804 00:38:38,490 --> 00:38:39,969 GOT IT? 805 00:38:40,013 --> 00:38:41,493 YEP. 806 00:38:43,495 --> 00:38:46,846 THEY MADE A MISTAKE. IT'S THE WRONG PERSON. 807 00:38:48,500 --> 00:38:49,979 GIVE ME THAT. 808 00:38:50,023 --> 00:38:51,459 GIVE ME THAT. 809 00:38:51,503 --> 00:38:54,984 YOU DON'T KNOW HOW TO OPEN UP A PACKAGE. 810 00:38:55,028 --> 00:38:57,030 IT'S GOOD STRING YOU'RE WASTING. 811 00:39:00,033 --> 00:39:04,516 SUCH...SUCH NICE, HEAVY PAPER. 812 00:39:05,952 --> 00:39:09,782 SOMETHING TO SAVE, MISS FANCY. 813 00:39:14,047 --> 00:39:16,745 OOH, BUBBIE, LOOK. 814 00:39:16,789 --> 00:39:19,052 WHO IS THIS? 815 00:39:25,058 --> 00:39:27,495 BUBBIE, I'M BEING WOOED. 816 00:39:27,539 --> 00:39:28,757 WOOED? 817 00:39:28,801 --> 00:39:30,150 VASIS WOOED? 818 00:39:35,764 --> 00:39:37,287 HMM. 819 00:39:45,121 --> 00:39:48,951 ALL RIGHT, I'M BACKING IT UP! WATCH OUT! 820 00:39:55,784 --> 00:39:57,264 WHAT ELSE? 821 00:39:57,307 --> 00:39:58,570 SAUERKRAUT. 822 00:39:58,613 --> 00:40:00,572 A QUART OF SAUERKRAUT. 823 00:40:00,615 --> 00:40:02,704 [SIREN] 824 00:40:02,748 --> 00:40:04,097 THAT IT? 825 00:40:04,140 --> 00:40:05,751 MY PICKLES. 826 00:40:05,794 --> 00:40:08,275 WERE YOU EVER IN BELLEVUE HOSPITAL? 827 00:40:08,318 --> 00:40:09,755 THE NURSES THERE 828 00:40:09,798 --> 00:40:12,975 WITH THE WASH CLOTHS THEY GOT THERE, 829 00:40:13,019 --> 00:40:16,675 THEY COULDN'T STOP WASHING ME. 830 00:40:21,810 --> 00:40:23,290 HI. 831 00:40:23,333 --> 00:40:24,770 HIYA. IT FITS. 832 00:40:24,813 --> 00:40:28,382 AS IF I WERE IN THE STORE WITH YOU. 833 00:40:28,426 --> 00:40:29,818 YOU WERE. 834 00:40:32,342 --> 00:40:35,302 WELL, I JUST WANTED TO STOP BY 835 00:40:35,345 --> 00:40:38,523 AND TELL YOU HOW MUCH I APPRECIATED THE GESTURE. 836 00:40:38,566 --> 00:40:43,136 YOU SURE IT FITS? FINKLE SAID YOU COULD TAKE IT BACK. 837 00:40:43,179 --> 00:40:45,138 I CAN GO WITH YOU, 838 00:40:45,181 --> 00:40:48,141 OR YOU CAN GO BY YOURSELF. 423 DELANCEY. 839 00:40:48,184 --> 00:40:49,621 IT FITS. 840 00:40:49,664 --> 00:40:51,144 GOOD. LOOKS GREAT. 841 00:40:51,187 --> 00:40:53,146 IS THIS THE ONE? 842 00:40:53,189 --> 00:40:55,148 MICK! MICKEY! 843 00:40:55,191 --> 00:40:57,629 I DON'T WANT TO KEEP YOU. 844 00:40:57,672 --> 00:40:59,631 ARE YOU A NURSE? 845 00:40:59,674 --> 00:41:01,154 LET'S GET COFFEE. 846 00:41:01,197 --> 00:41:04,157 SAM, I DON'T WANT TO DO THIS. 847 00:41:04,200 --> 00:41:06,638 I JUST CAME TO THANK YOU. 848 00:41:06,681 --> 00:41:09,510 I'M REALLY VERY, VERY FLATTERED. 849 00:41:09,554 --> 00:41:13,166 YOU OUGHT TO TAKE ALL THAT GOOD ROMANTIC ENERGY 850 00:41:13,209 --> 00:41:16,517 THAT YOU HAVE, AND IT IS GOOD, 851 00:41:16,561 --> 00:41:18,345 IT'S CREATIVE AND REFRESHING, 852 00:41:18,388 --> 00:41:21,870 AND IT WON'T GO UNAPPRECIATED 853 00:41:21,914 --> 00:41:24,873 ON THE RIGHT WOMAN. 854 00:41:24,917 --> 00:41:27,354 I WISH THERE WERE A WAY 855 00:41:27,397 --> 00:41:29,399 THAT I COULD SAY THIS. 856 00:41:32,402 --> 00:41:34,927 YOU DID FINE. 857 00:42:37,119 --> 00:42:38,599 OH, MY GOD. 858 00:42:38,643 --> 00:42:40,601 THE RETURN OF ANNIE HALL. 859 00:42:40,645 --> 00:42:42,429 GOOD MORNING. 860 00:42:42,472 --> 00:42:43,952 GREAT HAT. 861 00:42:53,919 --> 00:42:55,921 THEN ON TUESDAY WE SWITCH, 862 00:42:55,964 --> 00:42:58,445 AND MARK PICKS UP FOR CECILIA. 863 00:42:58,488 --> 00:42:59,925 WAIT A MINUTE. 864 00:42:59,968 --> 00:43:03,406 SO THIS IS BECOMING, LIKE, A REGULAR THING? 865 00:43:03,450 --> 00:43:05,104 IT IS A REGULAR THING. 866 00:43:05,147 --> 00:43:07,976 NOT AS FAR AS I'M CONCERNED. 867 00:43:08,020 --> 00:43:09,935 CECILIA'S SHOW TAPES EVERY TUESDAY, 868 00:43:09,978 --> 00:43:13,112 AND WE ALL HAVE TO ADJUST, RIGHT? 869 00:43:13,155 --> 00:43:15,462 WHAT'S THAT ON YOUR HEAD? 870 00:43:15,505 --> 00:43:17,464 PLEASE, WE'RE TALKING PUBLIC ACCESS. 871 00:43:17,507 --> 00:43:19,466 WE'RE TALKING DIAL-A-PSYCHIC. 872 00:43:19,509 --> 00:43:21,468 WE'RE TALKING NAKED TALK SHOWS. 873 00:43:21,511 --> 00:43:22,948 WE'RE TALKING DEEPLY UNIMPORTANT, 874 00:43:22,991 --> 00:43:25,777 AND THEY WANT ME TO ADJUST! 875 00:43:25,820 --> 00:43:28,780 LISTEN. I DIDN'T WANT TO FLAUNT THIS, 876 00:43:28,823 --> 00:43:31,826 BUT FOR A LITTLE TASTE OF REALITY HERE... 877 00:43:33,523 --> 00:43:35,961 "ARTS PEEK, HOSTED BY CECILIA MONK, 878 00:43:36,004 --> 00:43:39,268 MONDAYS ON CHANNEL T. WORTH CATCHING." 879 00:43:41,183 --> 00:43:42,663 IT'S NICE, HUH? 880 00:43:42,707 --> 00:43:44,273 YEAH. 881 00:43:54,544 --> 00:44:00,507 ♪ FA LA LA LA LA LA LA 882 00:44:00,550 --> 00:44:04,032 ♪ LA LA LA 883 00:44:04,076 --> 00:44:08,341 ♪ LA LA LA 884 00:44:08,384 --> 00:44:14,390 ♪ LA LA LA LA LA LA LA 885 00:44:14,434 --> 00:44:18,003 ♪ LA LA LA 886 00:44:18,046 --> 00:44:20,701 ♪ LA LA LA ♪ 887 00:44:20,745 --> 00:44:22,181 ♪ GET YOUR HANDS OFF HER 888 00:44:22,224 --> 00:44:23,661 ♪ GET YOUR HANDS OFF HER 889 00:44:23,704 --> 00:44:26,664 ♪ NOW ON THE STAND, A SHOW OF HANDS ♪ 890 00:44:26,707 --> 00:44:28,013 ♪ GET YOUR HANDS OFF HER 891 00:44:28,056 --> 00:44:30,189 ♪ GET YOUR HANDS OFF HER 892 00:44:30,232 --> 00:44:32,582 ♪ HAND IN GLOVE, LOOKING TO BE LOVED ♪ 893 00:44:32,626 --> 00:44:34,019 ♪ GET YOUR HANDS OFF HER 894 00:44:34,062 --> 00:44:36,543 OUR GUEST HAS BEEN PAT OLESZKO, 895 00:44:36,586 --> 00:44:38,545 PERFORMING THIS WEEKEND AT SIDEWINDER 896 00:44:38,588 --> 00:44:40,025 IN A BENEFIT 897 00:44:40,068 --> 00:44:43,028 FOR THE GUERRILLA WOMEN'S ARTIST COLLECTIVE. 898 00:44:43,071 --> 00:44:44,551 DON'T MISS IT. 899 00:44:44,594 --> 00:44:48,555 OK, THIS IS CECILIA MONK FORARTS PEEK. 900 00:44:48,598 --> 00:44:50,557 SEE YOU NEXT WEEK. 901 00:44:50,600 --> 00:44:51,863 ♪ GET YOUR HANDS OFF HER 902 00:44:51,906 --> 00:44:53,212 ♪ GET YOUR HANDS OFF HER ♪ 903 00:44:53,255 --> 00:44:54,735 [BASEBALL GAME] 904 00:44:54,779 --> 00:44:56,911 [RING] 905 00:44:56,955 --> 00:44:59,261 [RING] 906 00:44:59,305 --> 00:45:00,741 HELLO. 907 00:45:00,785 --> 00:45:02,264 MARILYN, IT'S IZZY. 908 00:45:02,308 --> 00:45:04,963 OH, HI, IZZ. JUST A SECOND. 909 00:45:05,006 --> 00:45:08,140 I GOT A GUY I WANT YOU TO MEET. 910 00:45:08,183 --> 00:45:09,750 OH, REALLY? 911 00:45:09,794 --> 00:45:11,752 REALLY. 912 00:45:13,798 --> 00:45:15,277 MICKEY, RIGHT? 913 00:45:15,321 --> 00:45:16,757 YEAH. 914 00:45:16,801 --> 00:45:18,280 IS SAM AROUND? 915 00:45:18,324 --> 00:45:20,805 YEAH, HE'S OVER THERE. 916 00:45:22,807 --> 00:45:24,330 THANKS. 917 00:45:26,506 --> 00:45:30,336 LET'S GO! HERE IT COMES! 918 00:45:31,337 --> 00:45:32,817 GOT IT! 919 00:46:02,368 --> 00:46:05,371 HEY, SAM, YOU GOT A FAN CLUB. 920 00:46:09,854 --> 00:46:12,857 I'M IN THE MIDDLE OF A GAME HERE. 921 00:46:12,900 --> 00:46:15,207 I CAN WAIT. 922 00:46:18,863 --> 00:46:21,343 OK. 923 00:46:21,387 --> 00:46:22,867 OK, LET'S GO. 924 00:46:28,133 --> 00:46:29,830 HIT IT, BABY! 925 00:46:29,874 --> 00:46:31,876 WHAT, ARE YOU SHOWING OFF? 926 00:46:46,891 --> 00:46:50,372 I SAID SOME REALLY STUPID THINGS THE OTHER DAY, 927 00:46:50,416 --> 00:46:53,767 AND I'D LIKE TO MAKE IT UP TO YOU. 928 00:47:00,905 --> 00:47:02,384 HI. 929 00:47:02,428 --> 00:47:03,864 HI. 930 00:47:03,908 --> 00:47:05,387 YOU LOOK GREAT! 931 00:47:05,431 --> 00:47:06,867 THANKS. 932 00:47:06,911 --> 00:47:09,870 OK. HERE'S HOW IT'S GOING TO GO. 933 00:47:09,914 --> 00:47:12,873 WHEN WE PASS BY, LOOK THE OTHER WAY. 934 00:47:12,917 --> 00:47:15,876 WE'RE NOT SUPPOSED TO KNOW EACH OTHER'S HERE. 935 00:47:15,920 --> 00:47:17,878 THIS WILL LOOK SPONTANEOUS. 936 00:47:17,922 --> 00:47:20,881 WHEN I FUTZ WITH MY EARRING LIKE THIS, 937 00:47:20,925 --> 00:47:23,405 YOU COME OVER TO THE TABLE. 938 00:47:23,449 --> 00:47:25,407 THEN WHAT DO I DO? 939 00:47:25,451 --> 00:47:26,887 SAY HI. 940 00:47:26,931 --> 00:47:29,890 I'LL INTRODUCE YOU, INVITE YOU TO SIT DOWN. 941 00:47:29,934 --> 00:47:31,413 I'LL EXCUSE MYSELF, 942 00:47:31,457 --> 00:47:33,415 AND IF THE CHEMISTRY'S GOOD, 943 00:47:33,459 --> 00:47:36,897 YOU DO SOMETHING ABOUT IT. IF NOT, NOTHING RISKED. 944 00:47:36,941 --> 00:47:38,420 YEAH, OK. 945 00:47:38,464 --> 00:47:39,900 BYE. 946 00:47:39,944 --> 00:47:41,902 TWO AMSTEL LIGHTS, PLEASE. 947 00:47:41,946 --> 00:47:44,731 YOU HAVEN'T SEEN KAREN, HAVE YOU? 948 00:48:00,312 --> 00:48:01,966 HI. 949 00:48:30,995 --> 00:48:33,954 I THINK YOU'RE GOING TO LIKE THIS-- 950 00:48:33,998 --> 00:48:35,477 CALIFORNIA MEX. 951 00:48:35,521 --> 00:48:37,479 WHAT DOES THAT MEAN? 952 00:48:37,523 --> 00:48:39,481 MORE SPROUTS, LESS GREASE. 953 00:48:39,525 --> 00:48:41,005 TWO MORE? 954 00:48:44,530 --> 00:48:46,967 THANKS SO MUCH FOR COMING TONIGHT. 955 00:48:47,011 --> 00:48:49,970 I FELT SO CLUMSY THE OTHER DAY. 956 00:48:50,014 --> 00:48:51,972 IT WAS AN AWKWARD SITUATION, 957 00:48:52,016 --> 00:48:54,975 MRS. MANDELBAUM SETTING IT UP LIKE THAT. 958 00:48:55,019 --> 00:48:59,588 I SHOULD HAVE SPOKEN TO YOU THE FIRST TIME I SAW YOU. 959 00:48:59,632 --> 00:49:00,981 WHEN WAS THAT? 960 00:49:01,025 --> 00:49:03,418 ABOUT 3 1/2 YEARS AGO, I THINK. 961 00:49:03,462 --> 00:49:05,246 WHERE? 962 00:49:05,290 --> 00:49:06,987 IN THE NEIGHBORHOOD. 963 00:49:07,031 --> 00:49:10,512 ON THE BENCHES WITH YOUR BUBBIE. AROUND. 964 00:49:10,556 --> 00:49:11,992 REALLY? 965 00:49:12,036 --> 00:49:15,517 THEN ONE DAY MRS. MANDELBAUM COMES BY THE STORE, 966 00:49:15,561 --> 00:49:17,998 SHOWS HER PICTURES, TELLS HER LIES. 967 00:49:18,042 --> 00:49:20,000 THIS ONE'S 18, A SCHOLAR. 968 00:49:20,044 --> 00:49:21,784 THIS ONE'S 22, A BEAUTY. 969 00:49:21,828 --> 00:49:24,352 SOME OF THESE PICTURES WERE TAKEN 970 00:49:24,396 --> 00:49:27,355 BEFORE THE FLASHBULB WAS INVENTED. 971 00:49:27,399 --> 00:49:30,358 SHE HAS A BUSINESS, AND I RESPECT THAT. 972 00:49:30,402 --> 00:49:33,361 I'M A BACHELOR. SHE CAN'T HELP HERSELF. 973 00:49:33,405 --> 00:49:35,015 WAIT A MINUTE. 974 00:49:35,059 --> 00:49:37,322 YOU MEAN YOU DIDN'T HIRE HER? 975 00:49:37,365 --> 00:49:41,021 NO. BUT ON THIS PARTICULAR DAY, 976 00:49:41,065 --> 00:49:43,850 SHE PULLED THIS FROM HER BAG. 977 00:49:46,331 --> 00:49:48,724 AND I SAID, "YES, MRS. MANDELBAUM, 978 00:49:48,768 --> 00:49:52,772 THIS ONE I'LL MEET." 979 00:50:09,615 --> 00:50:11,573 WOULD YOU EXCUSE ME? 980 00:50:11,617 --> 00:50:13,271 I'LL BE RIGHT BACK. 981 00:50:20,626 --> 00:50:22,584 WHAT AM I DOING HERE? 982 00:50:22,628 --> 00:50:25,587 I'VE GOT TO WARM THINGS UP A LITTLE. 983 00:50:25,631 --> 00:50:28,068 I'LL WORK YOU IN DURING DESSERT. 984 00:50:28,112 --> 00:50:30,070 I WANT TO BE TACTFUL. 985 00:50:30,114 --> 00:50:33,073 I DON'T THINK YOU WANT TO DO THIS. 986 00:50:33,117 --> 00:50:35,075 OF COURSE I DO. 987 00:50:35,119 --> 00:50:37,599 THEN WHY AM I SITTING ALONE 988 00:50:37,643 --> 00:50:40,080 WATCHING YOU HAVE THIS GREAT TIME. 989 00:50:40,124 --> 00:50:42,604 I'M NOT. I MEAN, HE'S CHARMING. 990 00:50:42,648 --> 00:50:45,607 THAT'S WHY I'M INTRODUCING YOU TO HIM. 991 00:50:45,651 --> 00:50:47,087 SO INTRODUCE ME. 992 00:50:47,131 --> 00:50:48,610 OK. 993 00:50:48,654 --> 00:50:50,134 OK. 994 00:51:00,753 --> 00:51:04,191 I JUST RAN INTO AN OLD FRIEND OF MINE. 995 00:51:04,235 --> 00:51:05,845 MARILYN COHEN. SAM POSNER. 996 00:51:05,888 --> 00:51:06,889 HI. 997 00:51:06,933 --> 00:51:09,022 HELLO. 998 00:51:09,066 --> 00:51:11,677 WE WENT TO HIGH SCHOOL TOGETHER. 999 00:51:14,071 --> 00:51:16,551 ISN'T THIS SALSA THE BEST? 1000 00:51:20,729 --> 00:51:24,168 SO, IZZY TELLS ME YOU HAVE YOUR OWN BUSINESS. 1001 00:51:24,211 --> 00:51:25,821 YES. 1002 00:51:25,865 --> 00:51:29,869 THAT'S A LOT OF PERSONAL FREEDOM, HUH? 1003 00:51:29,912 --> 00:51:32,350 MARILYN WORKS FOR THE WELFARE DEPARTMENT. 1004 00:51:32,393 --> 00:51:34,787 IT'S A TENSE, TENSE PLACE. 1005 00:51:34,830 --> 00:51:35,962 I'LL BET. 1006 00:51:36,005 --> 00:51:38,834 THAT'S WHY I STARTED WITH THE TANKS. 1007 00:51:38,878 --> 00:51:41,837 HAVE YOU EVER BEEN IN AN ISOLATION TANK? 1008 00:51:41,881 --> 00:51:42,838 NO. 1009 00:51:42,882 --> 00:51:44,318 WHERE DO YOU LIVE? 1010 00:51:44,362 --> 00:51:45,841 LOWER EAST SIDE. 1011 00:51:45,885 --> 00:51:49,845 THE CLOSEST ONE TO YOU IS SERENITY, ON FIRST AVENUE. 1012 00:51:49,889 --> 00:51:51,369 GOOD TANKS. VERY CLEAN. 1013 00:51:51,412 --> 00:51:53,936 THAT'S MOST IMPORTANT TO ME. 1014 00:51:53,980 --> 00:51:57,853 FORGET THE LIGHTING, THE FANCY LOCKER ROOMS, THE HAIR DRYERS. 1015 00:51:57,897 --> 00:52:00,552 JUST GIVE ME SCRUPULOUS CLEAN. 1016 00:52:02,641 --> 00:52:05,034 WITH ALL THE DISEASE GOING AROUND, 1017 00:52:05,078 --> 00:52:07,036 HOW COULD I RELAX 1018 00:52:07,080 --> 00:52:10,344 IF I'M IMAGINING AMOEBAS SWIMMING INTO MY EARS? 1019 00:52:10,388 --> 00:52:12,868 WEREN'T YOU SITTING AT THE BAR? 1020 00:52:12,912 --> 00:52:13,869 YES. 1021 00:52:13,913 --> 00:52:15,871 DID YOU HAVE ANY DINNER? 1022 00:52:15,915 --> 00:52:17,873 TO TELL YOU THE TRUTH, 1023 00:52:17,917 --> 00:52:22,269 I WENT WAY OVER MY CALORIE LIMIT ON THE MARGARITAS. 1024 00:52:26,099 --> 00:52:29,058 DON'T YOU NEED TO MAKE A PHONE CALL? 1025 00:52:29,102 --> 00:52:30,147 NO. 1026 00:52:31,278 --> 00:52:32,627 WHAT'S GOING ON? 1027 00:52:33,889 --> 00:52:35,326 IZZY'S EMBARRASSED. 1028 00:52:35,369 --> 00:52:38,329 SHE DOESN'T KNOW HOW TO DO THIS. 1029 00:52:38,372 --> 00:52:41,332 SHE THOUGHT I MIGHT LIKE TO MEET YOU, 1030 00:52:41,375 --> 00:52:45,814 AND SHE FIGURED THIS WOULD BE A PRETTY PAINLESS SETTING. 1031 00:52:45,858 --> 00:52:48,339 AND, INDEED, I'M FEELING NO PAIN, 1032 00:52:48,382 --> 00:52:51,342 BUT I AM GETTING KIND OF SLEEPY, 1033 00:52:51,385 --> 00:52:52,386 SO... 1034 00:52:53,387 --> 00:52:55,694 HERE'S MY PHONE NUMBER. 1035 00:52:55,737 --> 00:52:58,218 YOU LOOK LIKE A NICE GUY. 1036 00:52:58,262 --> 00:53:01,221 YOU WANT TO CALL ME, CALL ME. 1037 00:53:01,265 --> 00:53:04,224 I'M A GOOD PERSON. I DON'T SMOKE. 1038 00:53:04,268 --> 00:53:06,705 I DON'T HAVE ANY HEALTH PROBLEMS. 1039 00:53:06,748 --> 00:53:09,708 I'M VERY EASY TO GET ALONG WITH. 1040 00:53:09,751 --> 00:53:11,710 AND UNDERNEATH ALL THAT INFORMATION, 1041 00:53:11,753 --> 00:53:14,756 YOU WILL ALSO FIND A DEEPLY ROMANTIC WOMAN. 1042 00:53:23,765 --> 00:53:27,247 IT SEEMED LIKE A GOOD IDEA 48 HOURS AGO. 1043 00:53:29,293 --> 00:53:30,729 I'M SORRY. 1044 00:53:30,772 --> 00:53:32,731 WHAT ARE YOU SORRY ABOUT? 1045 00:53:32,774 --> 00:53:34,254 SHE'S GREAT. 1046 00:53:34,298 --> 00:53:36,256 SHE'S FUNNY, HONEST, DIRECT. 1047 00:53:36,300 --> 00:53:38,127 THANKS. 1048 00:53:41,566 --> 00:53:44,525 LOOK THIS WAY, BART, SMILE FOR MAMA. 1049 00:53:44,569 --> 00:53:46,092 THAT'S IT. BEAUTIFUL! 1050 00:53:46,135 --> 00:53:47,963 THAT'S A LITTLE GERBER BABY. 1051 00:53:48,007 --> 00:53:50,836 THAT'S A LITTLE PAMPERS-- 1052 00:53:50,879 --> 00:53:53,839 LOOK AT THE CAMERA. SMILE. GOOD BOY. 1053 00:53:53,882 --> 00:53:55,623 RIGHT. YES, YES, YES, YES! 1054 00:53:55,667 --> 00:53:59,018 OH! THAT'S A LITTLE JOHNSON and JOHNSON CUTIE! 1055 00:53:59,061 --> 00:54:00,541 LOOK OVER HERE! 1056 00:54:00,585 --> 00:54:03,022 I'VE GOT TO RELOAD. 1057 00:54:03,065 --> 00:54:06,939 GIVE HIM A REST FROM THE LIGHTS FOR A MINUTE. 1058 00:54:06,982 --> 00:54:08,419 GOOD IDEA. 1059 00:54:08,462 --> 00:54:11,422 COME ON, BART, LET'S TAKE A LITTLE REST. 1060 00:54:11,465 --> 00:54:13,424 YOU'VE BEEN A GOOD BOY. 1061 00:54:13,467 --> 00:54:14,990 [CRYING] 1062 00:54:15,034 --> 00:54:18,429 OH, YOU LIKED THOSE HOT LIGHTS. YOU LIKED THAT ACTION. 1063 00:54:18,472 --> 00:54:21,432 YOU WANT TO BE A LITTLE MONEYMAKER. 1064 00:54:24,348 --> 00:54:26,001 HE'S CUTER THAN THAT. 1065 00:54:26,045 --> 00:54:27,002 MUCH. 1066 00:54:27,046 --> 00:54:29,483 WE GOT SOME GOOD ONES TODAY. 1067 00:54:29,527 --> 00:54:31,485 OH, BOY. IT COSTS ENOUGH. 1068 00:54:31,529 --> 00:54:33,661 THEY HAVE TO BE UPDATED, 1069 00:54:33,705 --> 00:54:36,142 OR THE AGENTS WON'T TAKE THEM. 1070 00:54:36,185 --> 00:54:39,624 WE'LL HAVE TO DO THESE SESSIONS EVERY FEW MONTHS. 1071 00:54:39,667 --> 00:54:43,628 YOU HAVE TO START PUTTING SOME BACK INTO THE POT, 1072 00:54:43,671 --> 00:54:45,151 LITTLE MAN. 1073 00:54:45,194 --> 00:54:46,152 HERE. 1074 00:54:46,195 --> 00:54:47,675 OH, THANKS. 1075 00:54:51,026 --> 00:54:52,985 YOU HEARD FROM MARILYN LATELY? 1076 00:54:53,028 --> 00:54:55,466 YEAH. SHE WAS OVER LAST NIGHT. 1077 00:54:55,509 --> 00:54:58,817 SHE BROUGHT ME THAT LITTLE SNOWSUIT, 1078 00:54:58,860 --> 00:55:00,340 LITTLE DOWN BOOTIES. 1079 00:55:00,384 --> 00:55:01,820 SHE'S REALLY EXCITED 1080 00:55:01,863 --> 00:55:04,823 ABOUT THAT GUY YOU FIXED HER UP WITH. 1081 00:55:04,866 --> 00:55:06,607 YEAH? WHAT DID SHE SAY? 1082 00:55:06,651 --> 00:55:08,130 THAT HE'S GREAT-- 1083 00:55:08,174 --> 00:55:10,437 NOT ONE OF THE WALKING WOUNDED. 1084 00:55:10,481 --> 00:55:12,004 WHAT ELSE? 1085 00:55:12,047 --> 00:55:14,006 WELL, YOU KNOW THE GUY. 1086 00:55:14,049 --> 00:55:16,878 SHE TELL YOU HE SELLS PICKLES? 1087 00:55:16,922 --> 00:55:19,490 SO? SOMEBODY'S GOT TO. 1088 00:55:19,533 --> 00:55:21,056 [BRAHMS' LULLABYPLAYING] 1089 00:55:22,536 --> 00:55:24,582 HAVE THEY GONE OUT YET? 1090 00:55:24,625 --> 00:55:26,540 WHY DON'T YOU ASK HER? 1091 00:55:26,584 --> 00:55:28,673 HAVE THEY? 1092 00:55:28,716 --> 00:55:30,109 YEAH. 1093 00:55:30,152 --> 00:55:32,111 WHERE DID HE TAKE HER? 1094 00:55:32,154 --> 00:55:33,504 A PLAY. 1095 00:55:33,547 --> 00:55:34,896 REALLY? DINNER FIRST? 1096 00:55:34,940 --> 00:55:38,900 I THOUGHT YOU WANTED TO GET RID OF THIS GUY. 1097 00:55:38,944 --> 00:55:42,469 I DO. I'M JUST INTERESTED. 1098 00:55:42,513 --> 00:55:45,342 LOOK, RELAX. YOU DID A NICE THING 1099 00:55:45,385 --> 00:55:47,474 FOR BOTH OF THEM. 1100 00:55:55,264 --> 00:55:58,616 DON'T GIVE ME NO TROUBLE. GIVE ME YOUR BAG. 1101 00:55:58,659 --> 00:56:01,532 YOU LOOK LIKE YOU NEED TROUBLE. 1102 00:56:01,575 --> 00:56:03,882 [CAN EMITS ALARM] 1103 00:56:03,925 --> 00:56:05,318 VERY GOOD. 1104 00:56:05,362 --> 00:56:07,320 DON'T WASTE YOUR BATTERIES. PEARL! 1105 00:56:07,364 --> 00:56:09,496 THE CLASS ISN'T OVER YET. 1106 00:56:10,671 --> 00:56:12,325 I NEED THIS? 1107 00:56:12,369 --> 00:56:16,155 GET YOUR HAND OUT OF MY FACE! 1108 00:56:16,198 --> 00:56:17,983 TAKE THAT, YOU MUG. 1109 00:56:18,026 --> 00:56:20,855 DON'T PULL THAT ONE ON ME! 1110 00:56:20,899 --> 00:56:23,380 I'M SUPPOSED TO TAKE YOUR BAG. 1111 00:56:23,423 --> 00:56:24,816 OH, YEAH? 1112 00:56:24,859 --> 00:56:27,340 THIS WAS WHAT THE TEACHER SAID. 1113 00:56:27,384 --> 00:56:30,343 I'LL KNOCK YOUR TEETH DOWN YOUR THROAT. 1114 00:56:30,387 --> 00:56:33,346 GOOD. YOU'VE GOT YOUR ATTACKER ON THE DEFENSIVE. 1115 00:56:33,390 --> 00:56:35,827 YOU SHOWED HIM YOU'RE NO PUSHOVER. 1116 00:56:35,870 --> 00:56:37,350 YOU AIN'T KIDDING. 1117 00:56:37,394 --> 00:56:41,354 OK, LADIES, THAT'S IT FOR TODAY. 1118 00:56:41,398 --> 00:56:44,836 LET'S LEAVE THE CLASSROOM IN OUR BEST-DEFENDED WALK. 1119 00:56:44,879 --> 00:56:48,405 IDA, LEAD US AROUND THE ROOM ONCE, WILL YOU? 1120 00:56:59,067 --> 00:57:03,376 GOOD! YOU'RE ALL WALKING LIKE WINNERS HERE--NO VICTIMS. 1121 00:57:03,420 --> 00:57:04,377 YEAH! 1122 00:57:04,421 --> 00:57:05,552 GOOD! 1123 00:57:07,075 --> 00:57:09,208 SEE YOU NEXT WEEK, LADIES. 1124 00:57:10,905 --> 00:57:12,385 WAS IT FUN? 1125 00:57:12,429 --> 00:57:14,387 FUN? IT'S A JUNGLE! 1126 00:57:14,431 --> 00:57:16,868 ISABELLE, I GOT SOMETHING FOR YOU. 1127 00:57:16,911 --> 00:57:19,566 HE'S A LITTLE OLDER THAN THE PICKLE MAN, 1128 00:57:19,610 --> 00:57:22,569 BUT A MAN WITH SUCH A HEART! 1129 00:57:22,613 --> 00:57:25,050 LISTEN TO ME, MY DEAR GIRL. 1130 00:57:25,093 --> 00:57:27,531 TAKE ADVICE FROM SOMEONE WHO KNOWS. 1131 00:57:27,574 --> 00:57:30,055 LOVE COMES AND GOES VERY QUICKLY, 1132 00:57:30,098 --> 00:57:33,058 BUT A GOOD BUSINESS, A NICE HOME, 1133 00:57:33,101 --> 00:57:38,063 A MAN WITH A JOB WHO'S GOOD AND KIND IS WHAT COUNTS. 1134 00:57:38,106 --> 00:57:41,066 LISTEN, I KNOW WHAT I'M TALKING ABOUT! 1135 00:57:41,109 --> 00:57:44,112 I KNOW ABOUT LIFE FROM INSIDE OUT! 1136 00:57:47,768 --> 00:57:49,901 MMM. 1137 00:57:49,944 --> 00:57:54,079 THIS IS WHERE IT GETS ME-- IN THE SHOULDERS. 1138 00:57:54,122 --> 00:57:58,083 MY ARTHRITIS DON'T KNOW FROM SELF-DEFENSE. 1139 00:57:58,126 --> 00:58:01,739 AH, THAT'S GOOD. THAT'S GOOD. 1140 00:58:01,782 --> 00:58:03,262 TOO HARD? 1141 00:58:03,305 --> 00:58:06,265 NO, NO. YOUR HAND'S LIKE AN ANGEL'S. 1142 00:58:06,308 --> 00:58:08,920 IT'S VERY GOOD. AHH! 1143 00:58:08,963 --> 00:58:11,444 OY!THIS-- THIS IS A KILLER. 1144 00:58:11,488 --> 00:58:15,100 THIS IS WHERE IT GETS ME-- IN THE KNEES. 1145 00:58:15,143 --> 00:58:17,581 THE KNEES, TOO. 1146 00:58:17,624 --> 00:58:19,321 OH. 1147 00:58:20,627 --> 00:58:22,499 AHH! 1148 00:58:23,500 --> 00:58:26,111 MMM. THAT'S GOOD. 1149 00:58:26,154 --> 00:58:28,287 AHH! 1150 00:58:28,330 --> 00:58:30,158 MMM. 1151 00:58:31,638 --> 00:58:32,770 [SIGHS] 1152 00:58:32,813 --> 00:58:35,599 BUBBIE, IF YOU EVER SEE SAM AROUND, 1153 00:58:35,642 --> 00:58:38,123 TELL HIM I SAID HELLO. 1154 00:58:38,166 --> 00:58:40,125 WHAT AM I, A MESSENGER? 1155 00:58:40,168 --> 00:58:42,127 I WORK FOR WESTERN UNION? 1156 00:58:42,170 --> 00:58:44,651 NO. I JUST MEANT-- FORGET IT. 1157 00:58:44,695 --> 00:58:47,132 WHAT DO YOU WANT FROM HIM? 1158 00:58:47,175 --> 00:58:48,568 JUST CURIOUS. 1159 00:58:48,612 --> 00:58:52,224 I FIXED HIM UP WITH A FRIEND OF MINE--MARILYN. 1160 00:58:52,267 --> 00:58:53,791 THE REDHEAD? 1161 00:58:53,834 --> 00:58:54,966 NO. 1162 00:58:55,009 --> 00:58:57,969 THEY ALL LOOK THE SAME TO ME. 1163 00:58:58,012 --> 00:59:00,362 I HOPE IT WORKS OUT FOR THEM. 1164 00:59:00,406 --> 00:59:03,365 OH, YEAH? GOOD. 1165 00:59:14,376 --> 00:59:15,813 DON'T YELL AT ME. 1166 00:59:15,856 --> 00:59:17,379 WHO'S YELLING? 1167 00:59:33,874 --> 00:59:35,876 IS THAT SOMETHING TO KILL? 1168 00:59:37,704 --> 00:59:40,838 IS THAT SOMETHING TO KILL OVER THERE? 1169 00:59:40,881 --> 00:59:43,405 THROW ME YOUR SHOE. 1170 00:59:49,237 --> 00:59:50,499 OH! 1171 00:59:50,543 --> 00:59:53,241 I KNOW JUST HOW YOU FEEL, LITTLE GUY. 1172 01:00:00,727 --> 01:00:02,686 NICK, I MET SOMEONE. 1173 01:00:02,729 --> 01:00:06,211 IT WAS AN ARRANGED MEETING WITH A MARRIAGE BROKER. 1174 01:00:06,254 --> 01:00:08,213 MY GRANDMOTHER SET IT UP. 1175 01:00:08,256 --> 01:00:09,693 YOU'RE JOKING. 1176 01:00:09,736 --> 01:00:10,737 NO. 1177 01:00:11,738 --> 01:00:13,610 HE MAKES PICKLES. 1178 01:00:16,264 --> 01:00:17,744 YOU AREJOKING. 1179 01:00:18,745 --> 01:00:20,094 NO. 1180 01:00:37,503 --> 01:00:39,287 [BELL RINGS] 1181 01:01:06,793 --> 01:01:08,665 IN THE CORNER! 1182 01:01:08,708 --> 01:01:10,667 IN THE CORNER! 1183 01:01:13,147 --> 01:01:14,322 WHAT? 1184 01:01:14,366 --> 01:01:17,761 IN THE CORNER-- A LITTLE BIT DIRTY. 1185 01:01:17,804 --> 01:01:19,327 JUST A TOUCH. 1186 01:01:27,988 --> 01:01:29,642 SO? 1187 01:01:29,686 --> 01:01:33,646 SAM, I WILL GIVE YOU SOMETHING ELSE YOU SHOULD CHEW ON. 1188 01:01:33,690 --> 01:01:36,649 YOU WANT TO CATCH THE WILD MONKEY, 1189 01:01:36,693 --> 01:01:39,347 YOU GOT TO CLIMB THE TREE. VERSTEHT? 1190 01:01:39,391 --> 01:01:40,392 BUBBIE! 1191 01:01:43,047 --> 01:01:44,004 OH. 1192 01:01:44,048 --> 01:01:45,005 HELLO. 1193 01:01:45,049 --> 01:01:47,007 WHAT ARE YOU DOING HERE? 1194 01:01:47,051 --> 01:01:48,530 I WAS INVITED. 1195 01:01:48,574 --> 01:01:51,011 HE CAME TO CLEAN THE WINDOWS. 1196 01:01:51,055 --> 01:01:52,534 BY INVITATION. 1197 01:01:52,578 --> 01:01:54,536 HE DID A NICE JOB. 1198 01:01:54,580 --> 01:01:56,538 YOU DID A NICE JOB. 1199 01:01:56,582 --> 01:01:58,062 THANKS FOR LUNCH. 1200 01:02:11,423 --> 01:02:14,382 BELIEVE ME, I DID NOT SET THAT UP. 1201 01:02:14,426 --> 01:02:17,385 FOR SOMEONE WHO DOESN'T WANT TO SEE SOMEONE, 1202 01:02:17,429 --> 01:02:20,388 YOU'RE SEEING AN AWFUL LOT OF ME. 1203 01:02:20,432 --> 01:02:23,391 I'M SORRY IF I'VE SEEMED AMBIVALENT, CONFUSED. 1204 01:02:23,435 --> 01:02:25,393 I KNOW WHAT AMBIVALENT MEANS. 1205 01:02:25,437 --> 01:02:26,394 SORRY. 1206 01:02:26,438 --> 01:02:27,874 STOP BEING SORRY! 1207 01:02:27,918 --> 01:02:29,310 CLOSE THE DOOR. 1208 01:02:31,791 --> 01:02:33,271 [DOOR CLOSES] 1209 01:02:34,620 --> 01:02:37,884 I HEARD YOU AND MARILYN HAD A GOOD TIME. 1210 01:02:37,928 --> 01:02:39,494 YEAH. 1211 01:02:39,538 --> 01:02:42,236 THERE'S A RECEPTION SATURDAY NIGHT AT THE BOOKSTORE. 1212 01:02:42,280 --> 01:02:43,672 MAYBE YOU TWO-- 1213 01:02:43,716 --> 01:02:46,458 WE'RE GOING TO A BASEBALL GAME SATURDAY. 1214 01:02:46,501 --> 01:02:48,068 AH. 1215 01:02:48,112 --> 01:02:51,506 MAYBE I COULD BE HANDLING THIS BETTER. 1216 01:02:51,550 --> 01:02:53,595 WHAT ARE YOU HANDLING? ME? 1217 01:02:53,639 --> 01:02:58,078 YOU COME TO MY STAND, YOU INVITE ME OUT TO DINNER, 1218 01:02:58,122 --> 01:03:01,081 YOU SET ME UP WITH YOUR GIRLFRIEND, 1219 01:03:01,125 --> 01:03:03,823 YOU GET YOUR BUBBIE TO DRAG ME HERE. 1220 01:03:03,867 --> 01:03:06,913 YOU THINK MY WORLD IS SO SMALL, PROVINCIAL? 1221 01:03:06,957 --> 01:03:08,915 YOU THINK IT DEFINES ME? 1222 01:03:08,959 --> 01:03:11,526 NO. NO, I DON'T. 1223 01:03:11,570 --> 01:03:14,529 I FEEL LIKE I KEEP APOLOGIZING TO YOU, 1224 01:03:14,573 --> 01:03:17,968 LIKE I CAN'T GET IT RIGHT. 1225 01:03:19,665 --> 01:03:23,669 SAM, I WANT TO GET IT RIGHT. 1226 01:03:40,991 --> 01:03:43,950 "SEE, I AM WATCHING YOU HOLD THE EGG, 1227 01:03:43,994 --> 01:03:47,475 "TAP ITS CROWN, AND PICK GENTLY AT ITS SHELL. 1228 01:03:47,519 --> 01:03:51,958 "THIS IS THE WAY HE EATS AN EGG, I AM THINKING. 1229 01:03:52,002 --> 01:03:54,482 "NOT THAT YOUR HANDS ARE DELICATE 1230 01:03:54,526 --> 01:03:56,484 "OR YOUR TRAINING COMPLETE. 1231 01:03:56,528 --> 01:04:00,488 "JUST SO THIS IS 1232 01:04:00,532 --> 01:04:01,968 "TAP, TAP, AND PLUCK, 1233 01:04:02,012 --> 01:04:03,970 "DUNKING IN WITH THE SPOON 1234 01:04:04,014 --> 01:04:10,324 AND EMPTYING OUT THE SOFT WHITE AND LIQUID YELLOW HEART." 1235 01:04:10,368 --> 01:04:12,326 OH! 1236 01:04:12,370 --> 01:04:13,850 LIQUID YELLOW HEART. 1237 01:04:13,893 --> 01:04:16,853 THAT IS THE YOUNGEST POEM I EVER WROTE. 1238 01:04:16,896 --> 01:04:20,334 I RESURRECT IT ON THE OCCASION OF THIS TREACHERY. 1239 01:04:20,378 --> 01:04:21,858 WHAT TREACHERY? 1240 01:04:21,901 --> 01:04:24,861 YOU LURE ME HERE FOR A QUIET EVENING. 1241 01:04:24,904 --> 01:04:29,343 I FEEL I AM ON ONE OF THOSE SADISTIC TV SHOWS 1242 01:04:29,387 --> 01:04:31,345 WHERE THEY PARADE SKELETONS 1243 01:04:31,389 --> 01:04:33,347 IN FRONT OF APOPLECTIC GUESTS. 1244 01:04:33,391 --> 01:04:36,873 ONCE WORD GOT OUT YOU HAD LEFT YOUR HOUSE, 1245 01:04:36,916 --> 01:04:39,527 PEOPLE CAME OUT OF THE WOODWORK. 1246 01:04:39,571 --> 01:04:41,790 WELL, LET ME BABBLE ON FEARLESSLY. 1247 01:04:41,834 --> 01:04:44,706 WHERE DID YOU FIND ALL THESE LOVELY PEOPLE? 1248 01:04:44,750 --> 01:04:47,709 I THOUGHT EVERYONE HAD MOVED TO VERMONT. 1249 01:04:47,753 --> 01:04:49,189 I HAVE. 1250 01:04:49,233 --> 01:04:50,712 GOOD FOR YOU. 1251 01:04:50,756 --> 01:04:54,194 I HEARD A STORY AT THE McDOWELL LAST SUMMER. 1252 01:04:54,238 --> 01:04:55,717 ABOUT ME? 1253 01:04:55,761 --> 01:04:57,197 ABOUT YOU. 1254 01:04:57,241 --> 01:05:00,200 DID IT INVOLVE FOUR MEN AND A CABBAGE? 1255 01:05:00,244 --> 01:05:01,201 YES. 1256 01:05:01,245 --> 01:05:04,248 ABSOLUTELY TRUE. 1257 01:05:07,077 --> 01:05:11,037 OH, MY DEAR, YOUR HAIR. 1258 01:05:11,081 --> 01:05:13,561 IT WILL TAKE OVER THE PLANET. 1259 01:05:13,605 --> 01:05:16,086 I'M CECILIA MONK. 1260 01:05:16,129 --> 01:05:17,739 CECILIA? OH, REALLY? 1261 01:05:17,783 --> 01:05:19,263 [DOORBELL RINGS] 1262 01:05:19,306 --> 01:05:22,222 MADELINE ASKED WHY YOU DIDN'T SEND THE MANUSCRIPT. 1263 01:05:22,266 --> 01:05:25,573 WHAT MADE YOU GET ON THAT PLANE? 1264 01:05:25,617 --> 01:05:29,055 I WAS SITTING IN THE ORCHARD, THINKING ABOUT FRANKLIN, 1265 01:05:29,099 --> 01:05:32,058 REMEMBERING HOW PAINLESS IT WAS WITH HIM. 1266 01:05:32,102 --> 01:05:35,279 HE WAS QUITE SIMPLY THE BEST... 1267 01:05:36,628 --> 01:05:39,239 DON'T TELL ME I MISSED EVERYTHING. 1268 01:05:39,283 --> 01:05:41,241 YOUR TIMING IS IMPECCABLE. 1269 01:05:41,285 --> 01:05:42,242 GOOD. 1270 01:05:42,286 --> 01:05:43,940 OH. 1271 01:05:52,122 --> 01:05:53,645 Get up. 1272 01:06:01,653 --> 01:06:03,307 SIT DOWN. 1273 01:06:04,482 --> 01:06:06,440 AH, ANTON, YOU MADE IT. 1274 01:06:06,484 --> 01:06:07,964 EXCUSE ME, LIONEL. 1275 01:06:08,007 --> 01:06:09,966 YOU'VE MET PAULINE SWIFT? 1276 01:06:10,009 --> 01:06:10,967 NO. 1277 01:06:11,010 --> 01:06:12,446 PAULINE, ANTON MAES. 1278 01:06:12,490 --> 01:06:14,448 YES. I KNOW YOUR BOOK. 1279 01:06:14,492 --> 01:06:15,449 BOOKS. 1280 01:06:15,493 --> 01:06:17,451 WHO IS THIS NEW EDITOR? 1281 01:06:17,495 --> 01:06:19,497 [DOORBELL RINGS] 1282 01:06:21,847 --> 01:06:26,025 LIONEL, I THOUGHT YOU WERE A FRIEND OF MINE... 1283 01:06:27,505 --> 01:06:29,159 [RING] 1284 01:06:35,165 --> 01:06:37,123 THE GAME GOT RAINED OUT. 1285 01:06:37,167 --> 01:06:38,690 HI. COME IN. 1286 01:06:45,044 --> 01:06:47,003 WHY DIDN'T YOU BRING MARILYN? 1287 01:06:47,046 --> 01:06:49,005 DID YOU WANT ME TO? 1288 01:07:01,539 --> 01:07:03,671 RECOGNIZE ANYONE? 1289 01:07:03,715 --> 01:07:04,890 YEAH. 1290 01:07:07,501 --> 01:07:10,983 THIS IS UNQUESTIONABLY MY FAVORITE PART OF THE JOB. 1291 01:07:16,554 --> 01:07:18,686 ARE YOU MISS SWIFT'S DRIVER? 1292 01:07:18,730 --> 01:07:19,687 NO. 1293 01:07:19,731 --> 01:07:21,689 I'M SORRY. LIONEL COLLEY. 1294 01:07:21,733 --> 01:07:23,169 SAM POSNER. 1295 01:07:23,213 --> 01:07:24,170 POETRY? 1296 01:07:24,214 --> 01:07:25,171 PICKLES. 1297 01:07:25,215 --> 01:07:27,695 CAN I GET YOU A DRINK? 1298 01:07:27,739 --> 01:07:29,175 NO. THANK YOU. 1299 01:07:29,219 --> 01:07:30,698 MY BOSS. 1300 01:07:30,742 --> 01:07:33,179 HE LIVES FOR THESE LITTLE SOIREES. 1301 01:07:33,223 --> 01:07:35,181 YOU WANT TO SIT DOWN? 1302 01:07:35,225 --> 01:07:36,878 WHERE? 1303 01:07:36,922 --> 01:07:39,707 IT MUST BE VERY DIFFICULT WRITING IN ENGLISH. 1304 01:07:39,751 --> 01:07:43,189 HOW CAN YOU ABANDON YOUR MOTHER TONGUE SO COMPLETELY? 1305 01:07:43,233 --> 01:07:46,714 IT MIGHT BE A GOOD IDEA TO LOOK BACK, 1306 01:07:46,758 --> 01:07:48,716 WRITING SOMETHING IN DUTCH. 1307 01:07:48,760 --> 01:07:51,197 I UNDERSTAND YOUR BOOK WAS WRITTEN 1308 01:07:51,241 --> 01:07:52,981 AS AN EXERCISE. 1309 01:07:53,025 --> 01:07:54,896 YOU KNOW PAULINE SWIFT? 1310 01:07:54,940 --> 01:07:56,376 SURE. 1311 01:07:56,420 --> 01:07:59,379 I HAD TO MEMORIZE THE MARBLE COFFIN 1312 01:07:59,423 --> 01:08:01,251 FOR ORAL INTERP. 1313 01:08:01,294 --> 01:08:05,211 GO HOME. LISTEN TO THE LANGUAGE YOU GREW UP WITH. 1314 01:08:05,255 --> 01:08:07,735 OBEY YOUR INSTINCTS. 1315 01:08:07,779 --> 01:08:10,738 I LIVE IN NEW YORK-- RIGHT HERE. 1316 01:08:10,782 --> 01:08:13,350 THIS IS MY HOME. 1317 01:08:13,393 --> 01:08:15,874 I'M SORRY. 1318 01:08:15,917 --> 01:08:17,919 IT'S JUST A CONSIDERATION. 1319 01:08:17,963 --> 01:08:21,445 I WASN'T ASKING TO SEE YOUR GREEN CARD. 1320 01:08:21,488 --> 01:08:22,924 THIS IS THRILLING, 1321 01:08:22,968 --> 01:08:24,926 BUT NOT TOO COMFORTABLE. 1322 01:08:24,970 --> 01:08:27,886 I'M GOING TO TAKE A LITTLE WALK. 1323 01:08:36,982 --> 01:08:40,290 I NEED TO TALK... SOON. 1324 01:08:44,642 --> 01:08:45,643 SAM? 1325 01:08:47,166 --> 01:08:49,603 I THINK YOU WANT TO STAY. 1326 01:08:49,647 --> 01:08:52,258 NO. NO, I DON'T. 1327 01:08:52,302 --> 01:08:53,477 ♪ DOO DOOBY DOO 1328 01:08:53,520 --> 01:08:56,915 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1329 01:08:56,958 --> 01:09:00,962 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1330 01:09:01,006 --> 01:09:04,618 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1331 01:09:04,662 --> 01:09:07,143 ♪ DUM DUM DUM DOO DOO 1332 01:09:07,186 --> 01:09:08,622 THIS IS IT. 1333 01:09:08,666 --> 01:09:11,277 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1334 01:09:11,321 --> 01:09:13,279 YOU WANT TO COME IN? 1335 01:09:13,323 --> 01:09:16,282 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1336 01:09:16,326 --> 01:09:20,243 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1337 01:09:20,286 --> 01:09:22,810 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1338 01:09:22,854 --> 01:09:25,813 WILL YOU DO IT FOR MY FRIEND? 1339 01:09:25,857 --> 01:09:27,815 IS DON PICKING YOU UP? 1340 01:09:27,859 --> 01:09:30,818 IN A LITTLE WHILE. YOU WANT TO WAIT? 1341 01:09:30,862 --> 01:09:31,993 ♪ DUM DOOBY DOO 1342 01:09:32,037 --> 01:09:34,648 ♪ YOU'RE MY OBSESSION 1343 01:09:34,692 --> 01:09:36,998 ♪ FOREVER AND A DAY 1344 01:09:37,042 --> 01:09:40,001 ♪ DUM DUM DOOBY DOO 1345 01:09:40,045 --> 01:09:42,482 I HAVEN'T BEEN HOME MUCH LATELY. 1346 01:09:42,526 --> 01:09:45,006 I JUST CHANGE CLOTHES AND RUN. 1347 01:09:45,050 --> 01:09:47,008 SOUNDS LIKE AN EXCITING LIFE. 1348 01:09:47,052 --> 01:09:48,532 YEAH, WELL... 1349 01:09:48,575 --> 01:09:50,011 ♪ HOLD ME SO TIGHT 1350 01:09:50,055 --> 01:09:51,317 ♪ DOM-DO BI DO 1351 01:09:51,361 --> 01:09:54,146 ♪ ALL THROUGH, ALL THROUGH THE NIGHT ♪ 1352 01:09:54,190 --> 01:09:58,759 ♪ I SPEAK SOFTLY, DARLING 1353 01:09:58,803 --> 01:10:02,372 ♪ HEAR WHAT I SAY 1354 01:10:02,415 --> 01:10:04,200 ♪ I LOVE YOU 1355 01:10:04,243 --> 01:10:05,201 CHAMPAGNE? 1356 01:10:05,244 --> 01:10:06,202 ♪ ALWAYS 1357 01:10:06,245 --> 01:10:07,899 SURE. 1358 01:10:07,942 --> 01:10:09,944 ♪ ALWAYS, ALWAYS 1359 01:10:09,988 --> 01:10:11,163 ♪ DOOBY DOO 1360 01:10:11,207 --> 01:10:14,253 ♪ I'VE WAITED, WAITED SO LONG ♪ 1361 01:10:14,297 --> 01:10:17,561 ♪ FOR YOUR KISSES AND YOUR LOVE ♪ 1362 01:10:17,604 --> 01:10:18,692 ♪ DOOBY DOO ♪ 1363 01:10:18,736 --> 01:10:20,216 [KNOCK ON DOOR] 1364 01:10:20,259 --> 01:10:22,087 EXCUSE ME. 1365 01:10:28,093 --> 01:10:30,226 Tina threw me out. 1366 01:10:30,269 --> 01:10:32,358 Nick, this is not a good time. 1367 01:10:32,402 --> 01:10:35,100 Please, Nick. I'll call you tomorrow. 1368 01:10:42,586 --> 01:10:44,065 EVERYTHING OK? 1369 01:10:44,109 --> 01:10:45,066 FINE. 1370 01:10:45,110 --> 01:10:46,546 [KNOCK ON DOOR] 1371 01:10:46,590 --> 01:10:48,548 IT'S JUST A FRIEND. 1372 01:10:48,592 --> 01:10:51,551 HE HAD A FIGHT WITH HIS WIFE. 1373 01:10:51,595 --> 01:10:53,118 [KNOCK KNOCK] 1374 01:10:55,947 --> 01:10:57,383 I'M SORRY, OK? 1375 01:10:57,427 --> 01:10:59,907 BUT SHE CHANGED THE DAMNED LOCK! 1376 01:10:59,951 --> 01:11:01,909 WHERE WILL I GO, IZZY? 1377 01:11:01,953 --> 01:11:03,911 I KNOW IT'S LOUSY TIMING. 1378 01:11:03,955 --> 01:11:05,913 I APOLOGIZE, BUT JESUS CHRIST! 1379 01:11:05,957 --> 01:11:07,045 NICK! 1380 01:11:07,088 --> 01:11:09,134 NICK. 1381 01:11:34,812 --> 01:11:36,814 SO YOU MAKE PICKLES, HUH? 1382 01:11:36,857 --> 01:11:38,511 THAT'S RIGHT. 1383 01:11:41,471 --> 01:11:43,081 WHERE'S YOUR PLACE? 1384 01:11:43,124 --> 01:11:45,213 ESSEX, BELOW DELANCEY. 1385 01:11:45,257 --> 01:11:49,348 ISN'T THAT WHERE THAT GUY USED TO DO MILTON BERLE IMITATIONS? 1386 01:11:49,392 --> 01:11:51,437 YEAH. THAT WAS MY FATHER. 1387 01:11:51,481 --> 01:11:52,960 WITH THE DRESS? 1388 01:11:53,004 --> 01:11:55,528 YEAH. THE CIGAR, THE WHOLE THING. 1389 01:11:55,572 --> 01:11:56,790 I LOVED THAT PLACE. 1390 01:11:56,834 --> 01:11:59,489 HE WAS A WILD MAN. 1391 01:12:01,665 --> 01:12:02,840 YEAH. 1392 01:12:04,668 --> 01:12:09,150 WELL, LOOK, I HAVE TO GET UP EARLY IN THE MORNING, 1393 01:12:09,194 --> 01:12:10,282 SO... 1394 01:12:15,679 --> 01:12:18,638 IF YOU WANT, YOU CAN STAY WITH US. 1395 01:12:18,682 --> 01:12:21,685 IT'S JUST ME AND MY BROTHER AT HOME. 1396 01:12:31,042 --> 01:12:32,348 OK. 1397 01:12:34,219 --> 01:12:38,179 I JUST GOT TO MAKE A COUPLE OF PHONE CALLS 1398 01:12:38,223 --> 01:12:40,225 IN THE OTHER ROOM, OK? 1399 01:12:48,538 --> 01:12:52,063 WELL, THAT WAS A VERY NICE THING TO DO. 1400 01:12:53,238 --> 01:12:54,674 NOT REALLY. 1401 01:12:54,718 --> 01:12:57,677 DO YOU WANT TO SEE ME AGAIN? 1402 01:12:57,721 --> 01:12:58,678 YES. 1403 01:12:58,722 --> 01:12:59,897 ♪ DOOBY DOO 1404 01:12:59,940 --> 01:13:03,030 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1405 01:13:03,074 --> 01:13:06,991 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1406 01:13:07,034 --> 01:13:10,690 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1407 01:13:10,734 --> 01:13:14,694 ♪ DUM DUM DUM DOO DUM DOOBY DOO ♪ 1408 01:13:14,738 --> 01:13:18,219 ♪ COME SOFTLY, DARLING 1409 01:13:18,263 --> 01:13:21,701 ♪ COME TO ME, STAY 1410 01:13:21,745 --> 01:13:22,702 ♪ DOOBY DOO 1411 01:13:22,746 --> 01:13:24,878 ♪ YOU'RE MY OBSESSION 1412 01:13:24,922 --> 01:13:25,879 YES. 1413 01:13:25,923 --> 01:13:29,709 ♪ FOREVER AND A DAY 1414 01:13:29,753 --> 01:13:33,626 ♪ I WANT, WANT YOU TO KNOW 1415 01:13:33,670 --> 01:13:37,500 ♪ I LOVE, I LOVE YOU SO 1416 01:13:37,543 --> 01:13:39,719 ♪ PLEASE HOLD, HOLD ME... ♪ 1417 01:13:39,763 --> 01:13:40,720 HELLO. 1418 01:13:40,764 --> 01:13:41,721 HELLO. 1419 01:13:41,765 --> 01:13:43,723 WHAT'S IN THE BAG? 1420 01:13:43,767 --> 01:13:48,902 MY LUNCH FOR THE NEXT THREE MONTHS. 1421 01:13:48,946 --> 01:13:52,558 ♪ HEAR WHAT I SAY ♪ 1422 01:13:52,602 --> 01:13:54,560 LISTEN TO ME, SAM. 1423 01:13:54,604 --> 01:13:56,562 THE WELL-DRESSED MAN 1424 01:13:56,606 --> 01:13:58,608 ALWAYS HAS THE BIG ADVANTAGE. 1425 01:13:59,783 --> 01:14:01,741 LOOK AT HISTORY, SAM. 1426 01:14:01,785 --> 01:14:05,745 FRED ASTAIRE, CLARK GABLE, ALISTAIR COOKE. 1427 01:14:05,789 --> 01:14:07,747 THESE ARE NOT HANDSOME MEN. 1428 01:14:07,791 --> 01:14:11,272 CLOTHES MAKE THEM SEXY. 1429 01:14:11,316 --> 01:14:13,753 "MAX SCHOENBAUM'S DESIGNER DISCOUNT. 1430 01:14:13,797 --> 01:14:16,277 WHY SHOULD IT COST YOU?" 1431 01:14:16,321 --> 01:14:18,366 HMM. 1432 01:14:29,813 --> 01:14:32,293 HERBIE, MAY HE REST IN PEACE, 1433 01:14:32,337 --> 01:14:34,774 DID HE EVER EAT WITH YOU? 1434 01:14:34,818 --> 01:14:37,473 WHAT ELSE? HE WAS MY HUSBAND. 1435 01:14:37,516 --> 01:14:39,475 ALL THE YENTAS MADE BLAH-BLAH 1436 01:14:39,518 --> 01:14:42,478 WHEN HE JUMPED OFF THE 16th FLOOR. 1437 01:14:42,521 --> 01:14:44,480 "SUCH A NICE, NEW APARTMENT. 1438 01:14:44,523 --> 01:14:47,308 WHY SHOULD HE WANT TO FLY AWAY?" 1439 01:14:47,352 --> 01:14:49,876 HE NEVER GOT A CHANCE TO TELL ME. 1440 01:14:49,920 --> 01:14:52,662 SOMETHING'S BOTHERING ME. 1441 01:14:52,705 --> 01:14:56,317 WHY ARE THEY SET TO MEET BY YOU TONIGHT? 1442 01:14:56,361 --> 01:15:00,800 ISABELLE IS ASHAMED TO SHOW HIM WHERE SHE LIVES, 1443 01:15:00,844 --> 01:15:02,323 IT'S SO LOUSY? 1444 01:15:02,367 --> 01:15:04,804 SHE GIVES ME A LITTLE PLEASURE. 1445 01:15:04,848 --> 01:15:07,328 WHY DID YOU BRING YOUR CELLO? 1446 01:15:07,372 --> 01:15:09,330 QUARTET PRACTICE AS USUAL. 1447 01:15:09,374 --> 01:15:10,810 NIGHT, IZ. 1448 01:15:10,854 --> 01:15:12,333 SEE YOU MONDAY. 1449 01:15:12,377 --> 01:15:13,813 BYE, YOU GUYS. 1450 01:15:13,857 --> 01:15:16,860 LIONEL, YOU WANT ME TO LOCK UP? 1451 01:15:18,862 --> 01:15:20,646 OOH HOO HOO HOO! 1452 01:15:20,690 --> 01:15:23,388 WHAT DOES THIS MEAN? 1453 01:15:23,431 --> 01:15:25,433 MMM. 1454 01:15:25,477 --> 01:15:27,479 [CLICKS TONGUE] 1455 01:15:27,523 --> 01:15:29,046 HELLO. 1456 01:15:34,051 --> 01:15:36,836 I DON'T SUPPOSE ANYONE WANTS TO--NO. 1457 01:15:36,880 --> 01:15:38,838 GOOD NIGHT. 1458 01:15:38,882 --> 01:15:40,361 NIGHT. 1459 01:15:40,405 --> 01:15:41,841 NIGHT, LIONEL. 1460 01:15:41,885 --> 01:15:43,843 YOU SHOULD THANK ME. 1461 01:15:43,887 --> 01:15:45,366 WHAT FOR? 1462 01:15:45,410 --> 01:15:49,370 FOR NOT CALLING YOU IN THE MIDDLE OF THE NIGHT. 1463 01:15:49,414 --> 01:15:52,852 I'VE BEEN ON THIS NEW WORK FOR A WHILE. 1464 01:15:52,896 --> 01:15:55,376 I HAVEN'T SHOWN IT TO ANYONE. 1465 01:15:55,420 --> 01:15:56,856 IT WOULD BE SELF-DESTRUCTIVE 1466 01:15:56,900 --> 01:16:00,381 TO GIVE IT TO MY EDITOR AT THIS POINT, 1467 01:16:00,425 --> 01:16:02,862 BUT IT MIGHT BE VERY GOOD. 1468 01:16:02,906 --> 01:16:05,865 SO THERE I WAS AT 3:00 A.M. 1469 01:16:05,909 --> 01:16:08,868 WISHING VERY HARD FOR A GENTLE READER, 1470 01:16:08,912 --> 01:16:10,870 AND I THOUGHT OF YOU. 1471 01:16:10,914 --> 01:16:13,394 I DON'T KNOW WHAT TO SAY. 1472 01:16:13,438 --> 01:16:14,874 YOU'RE, UM, FLATTERED. 1473 01:16:14,918 --> 01:16:16,397 I'M FLATTERED. 1474 01:16:16,441 --> 01:16:19,879 YOU'RE, UM, INTRIGUED. 1475 01:16:19,923 --> 01:16:21,402 I'M INTRIGUED. 1476 01:16:21,446 --> 01:16:23,404 YOU'LL COME OVER NOW, 1477 01:16:23,448 --> 01:16:26,407 AND I'LL SHOW YOU THIS DAMN THING 1478 01:16:26,451 --> 01:16:29,889 SO I CAN FIND OUT IF THERE'S ANYTHING THERE. 1479 01:16:29,933 --> 01:16:31,412 I CAN'T TONIGHT. 1480 01:16:31,456 --> 01:16:32,892 LET HIM WAIT. 1481 01:16:32,936 --> 01:16:35,416 THEY LOVE TO BE KEPT WAITING. 1482 01:16:35,460 --> 01:16:37,462 IZZY, PLEASE. 1483 01:16:43,947 --> 01:16:46,471 I'M EXPECTED DOWNTOWN IN 15 MINUTES. 1484 01:16:50,475 --> 01:16:52,782 I REALLY SHOULDN'T BE HERE. 1485 01:16:59,484 --> 01:17:01,442 COME ON IN. 1486 01:17:01,486 --> 01:17:03,923 I'VE BEEN SERIOUSLY THINKING 1487 01:17:03,967 --> 01:17:06,447 ABOUT NOT FURNISHING IT AT ALL. 1488 01:17:06,491 --> 01:17:09,450 THERE'S SOMETHING RESTFUL ABOUT A BARE ROOM. 1489 01:17:09,494 --> 01:17:11,452 NO HISTORY, NO BAGGAGE. 1490 01:17:11,496 --> 01:17:12,932 EXACTLY. 1491 01:17:12,976 --> 01:17:15,935 LE VOYAGEUR SANS BAGAGE. 1492 01:17:15,979 --> 01:17:18,938 YOU'RE ONE OF THE PEOPLE I COUNT ON. 1493 01:17:18,982 --> 01:17:20,461 FOR WHAT? 1494 01:17:20,505 --> 01:17:23,987 GRACE, GENEROSITY, STILLNESS. 1495 01:17:27,991 --> 01:17:29,470 CAN YOU SEE? 1496 01:17:29,514 --> 01:17:31,211 MM-HMM. 1497 01:17:31,255 --> 01:17:32,778 [DOORBELL RINGS] 1498 01:17:32,822 --> 01:17:34,301 IT'S A MATCH! 1499 01:17:34,345 --> 01:17:35,781 NOT SO FAST. 1500 01:17:35,825 --> 01:17:37,304 IT'S A MATCH. 1501 01:17:37,348 --> 01:17:39,306 I GOT TO ADMIT, 1502 01:17:39,350 --> 01:17:44,007 SOMETIMES I KNOW WHAT I'M DOING IN THIS LIFE. 1503 01:17:45,704 --> 01:17:48,272 WAS I RIGHT, SAM? 1504 01:17:48,315 --> 01:17:50,666 HUH? MMM. 1505 01:17:50,709 --> 01:17:53,930 YOU DO HAVE AN EXQUISITE STILLNESS, IZZY. 1506 01:17:53,973 --> 01:17:55,975 I'VE ALWAYS ADMIRED THAT. 1507 01:17:58,325 --> 01:18:02,112 I MEASURE MY OWN JANGLY MOTION AGAINST IT. 1508 01:18:02,155 --> 01:18:04,375 YOU DO? 1509 01:18:04,418 --> 01:18:07,421 WHENEVER I SEE YOU. 1510 01:18:10,555 --> 01:18:15,299 WHO REALLY COMFORTS US, AFTER ALL? 1511 01:18:15,342 --> 01:18:17,301 SOMETIMES IT SEEMS THAT 1512 01:18:17,344 --> 01:18:20,608 PEOPLE WHO ARE SERVED UP GRACEFULLY IN OUR LIVES, 1513 01:18:20,652 --> 01:18:22,654 CONSISTENTLY, MATTER-OF-FACTLY, 1514 01:18:22,698 --> 01:18:24,308 ALMOST INCIDENTALLY, 1515 01:18:24,351 --> 01:18:28,312 LIKE A GOOD, SIMPLE PUDDING, 1516 01:18:28,355 --> 01:18:31,881 MEAN MORE THAN OUR CLOSEST FRIENDS. 1517 01:18:31,924 --> 01:18:35,319 WHO COMFORTS YOU, IZZY... 1518 01:18:35,362 --> 01:18:36,886 ISABELLE? 1519 01:18:39,845 --> 01:18:41,847 MAY I USE THE PHONE? 1520 01:18:46,591 --> 01:18:49,507 I GOT TO HAND IT TO YOU, HENKA. 1521 01:18:49,550 --> 01:18:51,988 YOU GET THEM COMING AND GOING. 1522 01:18:52,031 --> 01:18:54,991 YOU THINK I GET SOMETHING FOR THIS? 1523 01:18:55,034 --> 01:18:56,514 NOT A DIME. 1524 01:18:56,557 --> 01:18:59,517 IT'S PART OF MY JOB TO KNOW FASHION. 1525 01:18:59,560 --> 01:19:02,825 [TELEPHONE RINGS] 1526 01:19:02,868 --> 01:19:04,261 HELLO? 1527 01:19:04,304 --> 01:19:06,829 BUBBIE, I'M RUNNING A LITTLE LATE. 1528 01:19:06,872 --> 01:19:08,787 YOU'RE A CRIMINAL. 1529 01:19:08,831 --> 01:19:10,354 SAMMY. 1530 01:19:10,397 --> 01:19:12,356 I'M A SUCKER FOR ROMANCE. 1531 01:19:12,399 --> 01:19:15,838 THIS IS MY FATE. 1532 01:19:15,881 --> 01:19:17,361 HELLO. ISABELLE? 1533 01:19:17,404 --> 01:19:20,103 DON'T GIVE ME THE BUM'S RUSH. 1534 01:19:20,146 --> 01:19:23,193 I HAVE TO FINISH UP A FEW THINGS. 1535 01:19:23,236 --> 01:19:24,890 CAN YOU HANG IN THERE? 1536 01:19:24,934 --> 01:19:26,326 OK. 1537 01:19:26,370 --> 01:19:28,633 BYE. 1538 01:19:28,676 --> 01:19:30,374 BYE. 1539 01:19:31,897 --> 01:19:34,900 SAMMY, A LITTLE SCHNAPPS? 1540 01:19:48,914 --> 01:19:51,395 GO TO IT, 1541 01:19:51,438 --> 01:19:53,266 GENTLE READER. 1542 01:19:58,445 --> 01:20:00,404 SAMMY. 1543 01:20:00,447 --> 01:20:02,406 THANK YOU. 1544 01:20:02,449 --> 01:20:03,886 L'CHAYIM. 1545 01:20:03,929 --> 01:20:05,409 L'CHAYIM. 1546 01:20:05,452 --> 01:20:07,411 STRAIGHT UP MEANS NO ICE. 1547 01:20:07,454 --> 01:20:08,934 UH-HUH. 1548 01:20:11,937 --> 01:20:14,461 A LITTLE EXTRA FLAVOR. 1549 01:20:23,470 --> 01:20:24,950 SO? 1550 01:20:26,473 --> 01:20:28,432 WHAT DO YOU THINK? 1551 01:20:29,955 --> 01:20:32,436 A GOOD TWO PAGES. 1552 01:20:32,479 --> 01:20:34,438 YEAH? 1553 01:20:34,481 --> 01:20:37,441 I WANT TO STAY WITH IT. 1554 01:20:37,484 --> 01:20:40,444 YOU WANT MORE? 1555 01:20:40,487 --> 01:20:42,925 YES. 1556 01:20:42,968 --> 01:20:44,317 DO YOU? 1557 01:20:45,971 --> 01:20:48,452 YES. 1558 01:20:48,495 --> 01:20:49,975 DO YOU? 1559 01:20:51,498 --> 01:20:52,978 YES. 1560 01:21:02,031 --> 01:21:05,991 [SINGING IN YIDDISH] 1561 01:21:20,527 --> 01:21:21,964 I'D BETTER GO. 1562 01:21:22,007 --> 01:21:25,489 PLEASE, SIT DOWN, SAMMY. 1563 01:21:25,532 --> 01:21:27,491 LISTEN TO THIS, SAMMY. 1564 01:21:27,534 --> 01:21:30,494 WHEN I WAS A GIRL-- 1565 01:21:30,537 --> 01:21:33,497 OH, SUCH A THING TO LOOK AT-- 1566 01:21:33,540 --> 01:21:37,501 A FELLOW NAMED SHIAH, A TAILOR'S SON, COMES TO ME. 1567 01:21:37,544 --> 01:21:40,504 "IDA," HE SAYS, "I'M FALLING INTO PIECES. 1568 01:21:40,547 --> 01:21:43,986 "MY LIFE IS OVER IF YOU WON'T TAKE ME. 1569 01:21:44,029 --> 01:21:46,510 "I'LL WALK INTO THE EAST RIVER, 1570 01:21:46,553 --> 01:21:48,816 AND THIS WILL BE MY GRAVE." 1571 01:21:48,860 --> 01:21:51,341 HE WAS A CLEAN LITTLE FELLOW 1572 01:21:51,384 --> 01:21:53,865 WITH SPECTACLES AND A GOOD FAMILY, 1573 01:21:53,909 --> 01:21:56,868 BUT HE DIDN'T MEAN NOTHING TO ME. 1574 01:21:56,912 --> 01:21:58,870 ANOTHER BOY COMING AROUND 1575 01:21:58,914 --> 01:22:01,351 TO LOOK AT THE BEAUTIFUL FLOWER. 1576 01:22:01,394 --> 01:22:04,876 SO HE SITS HIMSELF DOWN IN AUNT BESSIE'S KITCHEN. 1577 01:22:04,920 --> 01:22:07,357 HE SAYS, "IDA, I WON'T MOVE. 1578 01:22:07,400 --> 01:22:10,882 "I WON'T CRAWL AN INCH UNTIL YOU SAY YES. 1579 01:22:10,926 --> 01:22:13,885 I'M STUCK HERE LIKE A PIECE OF FURNITURE." 1580 01:22:13,929 --> 01:22:15,887 SO WHAT DID YOU DO? 1581 01:22:15,931 --> 01:22:18,020 I MARRIED HIM. WHAT ELSE? 1582 01:22:18,063 --> 01:22:21,023 I DIDN'T WANT TO BOTHER POOR BESSELA. 1583 01:22:21,066 --> 01:22:25,027 SHE HAD ENOUGH TROUBLE WITH HER LOUSY TEETH AND EVERYTHING. 1584 01:22:25,070 --> 01:22:27,551 IN THE END, IT WAS GOOD. 1585 01:22:27,594 --> 01:22:30,032 IF SOMEBODY WANTED ME SO MUCH 1586 01:22:30,075 --> 01:22:34,036 THAT HE WAS READY TO MAKE A FOOL OF HIMSELF, 1587 01:22:34,079 --> 01:22:37,865 IT WAS EASY TO SEE THAT HE'D BE GOOD TO ME. 1588 01:22:47,788 --> 01:22:49,573 HA HA HA HA! 1589 01:22:49,616 --> 01:22:51,575 DID YOU HURT YOURSELF? 1590 01:22:51,618 --> 01:22:53,577 I REALLY BANGED MY KNEE. 1591 01:22:53,620 --> 01:22:55,057 OH. OH. OH. 1592 01:22:55,100 --> 01:22:57,059 THAT COUCH IS RIDICULOUS. 1593 01:22:57,102 --> 01:23:00,062 WHEN YOU START TO WORK WITH ME, 1594 01:23:00,105 --> 01:23:04,066 I'LL LET YOU GO OUT AND BUY A PROPER BED-- 1595 01:23:04,109 --> 01:23:05,632 KING-SIZE, THE WHOLE ROYAL FAMILY. 1596 01:23:05,676 --> 01:23:07,634 WHAT DID YOU SAY? 1597 01:23:07,678 --> 01:23:09,636 AND WHATEVER ELSE SEEMS ESSENTIAL. 1598 01:23:09,680 --> 01:23:11,116 SOME CHAIRS, TABLES. 1599 01:23:11,160 --> 01:23:13,118 MY SENSE OF DOMESTIC ORDER 1600 01:23:13,162 --> 01:23:15,120 IS NOT QUITE IN BALANCE. 1601 01:23:15,164 --> 01:23:17,122 YOU CAN BE THE JUDGE. 1602 01:23:17,166 --> 01:23:18,645 WORK WITH YOU? 1603 01:23:18,689 --> 01:23:22,127 I DID GET LIONEL'S BLESSINGS. 1604 01:23:22,171 --> 01:23:24,651 HIS CONDITIONS ARE PART-TIME, ON LOAN. 1605 01:23:24,695 --> 01:23:26,131 I'M MYLA'S REPLACEMENT. 1606 01:23:26,175 --> 01:23:29,134 HE SAID, "IT MIGHT BE GOOD FOR HER. 1607 01:23:29,178 --> 01:23:31,136 A LITTLE CHANGE OF SCENE." 1608 01:23:31,180 --> 01:23:34,139 MAYBE IT'S HIS WAY OF AVOIDING A RAISE. 1609 01:23:34,183 --> 01:23:35,662 HE ADORES YOU. 1610 01:23:35,706 --> 01:23:37,142 YOU AREN'T SERIOUS. 1611 01:23:37,186 --> 01:23:39,492 IT'S NOT SECRETARIAL. IT'S MUCH MORE. 1612 01:23:39,536 --> 01:23:41,016 IT'S RESEARCH, CORRESPONDENCE. 1613 01:23:41,059 --> 01:23:44,019 ALL SORTS OF GOOD PEOPLE FLYING THROUGH HERE. 1614 01:23:44,062 --> 01:23:47,022 HOW COULD I HAVE BEEN SO STUPID? 1615 01:23:47,065 --> 01:23:49,111 IZZY! HEY! 1616 01:23:49,154 --> 01:23:51,156 IZZY! 1617 01:23:51,200 --> 01:23:53,724 STUPID, STUPID, STUPID! 1618 01:23:56,596 --> 01:23:59,512 IZZY, I FELT A KINSHIP! 1619 01:23:59,556 --> 01:24:02,515 YOU FELT AN ADMINISTRATIVE NEED! 1620 01:24:02,559 --> 01:24:04,039 [DOOR SLAMS] 1621 01:24:06,563 --> 01:24:09,696 BE THERE, SAM. PLEASE BE THERE. 1622 01:24:09,740 --> 01:24:11,176 COME ON 1623 01:24:11,220 --> 01:24:12,743 AND HURRY UP. 1624 01:24:15,224 --> 01:24:17,487 [TIRES SCREECH] 1625 01:24:20,229 --> 01:24:22,535 LET'S BE HONEST ABOUT THIS! 1626 01:24:22,579 --> 01:24:24,189 IF ANYONE'S BEEN MANIPULATED, 1627 01:24:24,233 --> 01:24:25,886 IT'S ME! 1628 01:24:25,930 --> 01:24:27,845 ASSHOLE! 1629 01:24:29,586 --> 01:24:32,241 [TIRES SCREECH] 1630 01:24:36,245 --> 01:24:38,899 "BEFORE YOU LEAVE A PARKING SPACE 1631 01:24:38,943 --> 01:24:41,076 "WHICH IS PARALLEL TO THE CURB, 1632 01:24:41,119 --> 01:24:43,034 YOU SHOULD, A--" 1633 01:24:45,254 --> 01:24:47,212 "LOOK FOR TRAFFIC 1634 01:24:47,256 --> 01:24:50,215 "BY USING YOUR INSIDE REARVIEW MIRROR. 1635 01:24:50,259 --> 01:24:54,306 B--TURN ON YOUR FOUR-WAY FLASHER." 1636 01:24:54,350 --> 01:24:56,221 FOUR-WAY FLASHER? 1637 01:24:56,265 --> 01:24:58,267 MM-HMM. 1638 01:24:58,310 --> 01:25:01,487 "C--LOOK FOR TRAFFIC BY TURNING YOUR HEAD." 1639 01:25:03,794 --> 01:25:07,580 "D--SOUND YOUR HORN." 1640 01:25:08,625 --> 01:25:10,235 "D--SOUND YOUR HORN." 1641 01:25:10,279 --> 01:25:11,758 [HONK] 1642 01:25:11,802 --> 01:25:14,674 TURN HERE. TURN HERE! 1643 01:25:16,894 --> 01:25:19,679 [TIRES SCREECH] 1644 01:25:19,723 --> 01:25:22,073 [HORN HONKS] 1645 01:25:22,117 --> 01:25:26,817 [REGGAE MUSIC PLAYING] 1646 01:25:28,949 --> 01:25:30,429 STOP HERE! 1647 01:25:30,473 --> 01:25:32,997 [TIRES SCREECH] 1648 01:25:34,303 --> 01:25:38,263 I HOPE I'LL BE PICKING YOU UP AGAIN SOMETIME. 1649 01:25:38,307 --> 01:25:40,787 I'M GETTING THE HANG OF THIS! 1650 01:25:40,831 --> 01:25:43,312 "AN EIGHT-SIDED SIGN WITH WHITE LETTERS..." 1651 01:25:56,847 --> 01:25:58,327 [DOOR OPENS] 1652 01:27:10,399 --> 01:27:12,357 GO AHEAD, SAY IT. 1653 01:27:12,401 --> 01:27:16,100 "SHMUCK,WHAT ARE YOU STILL DOING HERE?" 1654 01:27:21,845 --> 01:27:24,369 SHE WAS VERY WORRIED ABOUT YOU. 1655 01:27:24,413 --> 01:27:27,372 I DIDN'T MEAN TO GET HER DRUNK, 1656 01:27:27,416 --> 01:27:29,896 BUT I HAD TO DISTRACT HER. 1657 01:27:29,940 --> 01:27:31,898 HOW MUCH DID SHE DRINK? 1658 01:27:31,942 --> 01:27:34,901 WE FINISHED THE SCHNAPPS I BROUGHT HER. 1659 01:27:34,945 --> 01:27:36,947 THE FLOWERS WERE FOR YOU. 1660 01:27:38,427 --> 01:27:39,906 THAT'S SOME OUTFIT. 1661 01:27:39,950 --> 01:27:42,953 I LIKE TO MAKE STRONG FASHION STATEMENTS. 1662 01:27:46,435 --> 01:27:48,393 DO YOU SMELL SOMETHING? 1663 01:27:48,437 --> 01:27:50,917 LIKE WHAT? 1664 01:27:50,961 --> 01:27:53,398 KIND OF LIKE VANILLA, I THINK. 1665 01:27:53,442 --> 01:27:54,921 IT IS VANILLA. 1666 01:27:54,965 --> 01:27:57,924 I SOAK THEM IN VANILLA AND MILK 1667 01:27:57,968 --> 01:28:00,927 TO TAKE AWAY THE SMELL OF THE PICKLES. 1668 01:28:00,971 --> 01:28:04,409 SOMETHING MY FATHER TAUGHT ME. DOES IT BOTHER YOU? 1669 01:28:04,453 --> 01:28:05,932 NO, IT'S NICE. 1670 01:28:05,976 --> 01:28:08,935 SHE WAS TELLING ME SOME GREAT STORIES TONIGHT. 1671 01:28:08,979 --> 01:28:10,937 YOU EVER WRITE THEM DOWN? 1672 01:28:10,981 --> 01:28:13,418 THESE ARE DIAMONDS SHE GIVES YOU. 1673 01:28:13,462 --> 01:28:15,420 YOU SHOULD WRITE THEM DOWN. 1674 01:28:15,464 --> 01:28:18,945 I DO. I CARRY A BOOK FOR THIS PURPOSE. 1675 01:28:18,989 --> 01:28:20,947 I PUT DOWN QUESTIONS, TOO. 1676 01:28:20,991 --> 01:28:24,951 WHEN THEY'RE CLEARLY IN MY MIND, I WRITE THEM DOWN. 1677 01:28:24,995 --> 01:28:27,432 I LEAVE SPACE FOR THE ANSWERS. 1678 01:28:27,476 --> 01:28:29,956 HERE'S ONE I'VE BEEN LOOKING AT. 1679 01:28:30,000 --> 01:28:32,481 "HOW DO I TALK TO ISABELLE?" 1680 01:28:36,006 --> 01:28:40,445 WE CAN'T SEEM TO GET OUT OF THIS KITCHEN, CAN WE? 1681 01:28:40,489 --> 01:28:42,969 WE CAN STILL DO SOMETHING TONIGHT. 1682 01:28:43,013 --> 01:28:46,973 MY AUNT MILDRED SENT MICKEY AND ME TO DANCING SCHOOL. 1683 01:28:47,017 --> 01:28:48,975 FAMILY FICTION HAS IT 1684 01:28:49,019 --> 01:28:51,456 IT WAS MY MOTHER'S DYING WISH. 1685 01:28:51,500 --> 01:28:54,503 [RADIO PLAYS IT HAD TO BE YOU] 1686 01:29:00,030 --> 01:29:02,119 HA HA HA! 1687 01:29:17,526 --> 01:29:19,310 HA HA HA! 1688 01:29:26,535 --> 01:29:28,493 WHAT DO YOU THINK? 1689 01:29:28,537 --> 01:29:30,016 YOU'RE VERY GOOD. 1690 01:29:30,060 --> 01:29:32,889 [SNORING] 1691 01:29:34,847 --> 01:29:36,849 WE COULD GO TO ROSELAND. 1692 01:29:36,893 --> 01:29:38,851 I HEAR THAT'S TRESHIP. 1693 01:29:38,895 --> 01:29:40,375 I'M REALLY EXHAUSTED. 1694 01:29:40,418 --> 01:29:43,421 IT'S BEEN A LONG WEEK. 1695 01:29:43,465 --> 01:29:46,598 DOES THIS HAPPEN TO YOU A LOT? 1696 01:29:46,642 --> 01:29:49,514 THIS GUY IS TAKING TREMENDOUS ADVANTAGE OF YOU. 1697 01:29:49,558 --> 01:29:52,038 MAKE THE RULES AND DON'T WAVER. 1698 01:29:52,082 --> 01:29:55,041 SAY "I'M OUT OF HERE BY 7:00." 1699 01:29:55,085 --> 01:29:57,043 DON'T BE A SOFTIE. 1700 01:29:57,087 --> 01:29:59,524 I WASN'T WORKING LATE. 1701 01:29:59,568 --> 01:30:00,699 WHERE WERE YOU? 1702 01:30:00,743 --> 01:30:03,702 YOU DON'T WANT TO KNOW. 1703 01:30:03,746 --> 01:30:05,443 I THOUGHT I DID. 1704 01:30:05,487 --> 01:30:08,315 SAM. 1705 01:30:08,359 --> 01:30:10,796 I DON'T KNOW WHAT TO DO WITH YOU. 1706 01:30:10,840 --> 01:30:13,320 YOU'RE A NICE GUY. 1707 01:30:13,364 --> 01:30:16,976 WHAT A THING TO SAY. I'M WOUNDED. I'M BLEEDING. 1708 01:30:17,020 --> 01:30:18,456 IT'S TRUE. 1709 01:30:18,500 --> 01:30:20,980 MAYBE I JUST-- 1710 01:30:21,024 --> 01:30:23,461 MAYBE I JUST CAN'T HANDLE THAT. 1711 01:30:23,505 --> 01:30:26,464 MAYBE IF I KNOCKED YOU AROUND A LITTLE, 1712 01:30:26,508 --> 01:30:28,466 I'D HAVE A BETTER CHANCE. 1713 01:30:28,510 --> 01:30:30,468 MAYBE IF I WERE MARRIED. 1714 01:30:30,512 --> 01:30:32,470 I'LL MARRY YOUR FRIEND MARILYN. 1715 01:30:32,514 --> 01:30:34,472 THEN EVERYBODY WILL BE HAPPY. 1716 01:30:34,516 --> 01:30:37,475 MAYBE IF I WERE A MEDIOCRE WRITER 1717 01:30:37,519 --> 01:30:39,477 SITTING AROUND LISTENING TO PRAISE 1718 01:30:39,521 --> 01:30:41,479 FROM OTHER MEDIOCRE WRITERS. 1719 01:30:41,523 --> 01:30:43,481 I REALLY BOUGHT THIS. 1720 01:30:43,525 --> 01:30:46,484 I THOUGHT, "THIS IS GOING TO BE GREAT. 1721 01:30:46,528 --> 01:30:49,008 THIS IS WHAT I'VE WAITED FOR." 1722 01:30:49,052 --> 01:30:52,490 YOU DON'T KNOW HOW NUTS I WAS ABOUT TONIGHT. 1723 01:30:52,534 --> 01:30:56,494 I WAS OFF THE GROUND. NOBODY COULD TALK TO ME. 1724 01:30:56,538 --> 01:31:00,019 I WAS SO HAPPY I WAS GOING TO SEE YOU, 1725 01:31:00,063 --> 01:31:02,848 I MADE A SPECIAL BROCHE FOR THE OCCASION. 1726 01:31:02,892 --> 01:31:06,852 I SAID THE PRAYER FOR THE PLANTING OF NEW TREES. 1727 01:31:06,896 --> 01:31:08,898 DON'T ASK ME WHY. 1728 01:31:12,423 --> 01:31:15,426 HOW SHOULD I TALK TO ISABELLE? 1729 01:31:34,445 --> 01:31:36,316 WH--WHAT TIME IS IT? 1730 01:31:36,360 --> 01:31:38,841 I SLEPT SO LONG ON THE COUCH 1731 01:31:38,884 --> 01:31:41,278 THAT I DON'T EVEN KNOW WHERE I AM! 1732 01:31:41,321 --> 01:31:45,412 WHO IS THIS MAN? WHAT'S HE DOING IN MY HOUSE? 1733 01:31:45,456 --> 01:31:47,414 YOU WERE SLEEPING SO PEACEFULLY 1734 01:31:47,458 --> 01:31:49,895 WE DIDN'T WANT TO WAKE YOU. 1735 01:31:49,939 --> 01:31:51,897 THIS IS SAM. YOU REMEMBER SAM. 1736 01:31:51,941 --> 01:31:53,290 NO! 1737 01:31:53,333 --> 01:31:54,900 HE'S MY FRIEND. 1738 01:31:54,944 --> 01:31:57,424 MRS. MANDELBAUM INTRODUCED US. YOU REMEMBER. 1739 01:31:57,468 --> 01:31:59,426 NO! GO GET THE BED READY. 1740 01:31:59,470 --> 01:32:01,472 OK. OK. RELAX. 1741 01:32:02,952 --> 01:32:04,736 MAYBE THE DRINK? 1742 01:32:11,961 --> 01:32:13,528 COME. 1743 01:32:17,488 --> 01:32:20,447 YOU ARE SOME BIG-TIME OPERATOR, SAMMY. 1744 01:32:20,491 --> 01:32:23,450 YOU'LL DANCE WITH ME AT THE WEDDING. 1745 01:32:23,494 --> 01:32:27,454 I'LL MAKE SOME NICE CAKES, AND YOU'LL BUY THE SCHNAPPS. 1746 01:32:27,498 --> 01:32:29,935 WE'LL HAVE SUCH A GOOD TIME. 1747 01:32:29,979 --> 01:32:31,458 WE'LL SEE, BUBBIE. 1748 01:32:31,502 --> 01:32:34,940 LIKE A PIECE OF FURNITURE, DO YOU HEAR ME? 1749 01:32:34,984 --> 01:32:36,463 READY, BUBBIE? 1750 01:32:36,507 --> 01:32:39,466 NOT SO FAST. I GOT TO GO SLOW. 1751 01:32:39,510 --> 01:32:40,946 OK. 1752 01:32:40,990 --> 01:32:42,469 OY,THE PAIN, 1753 01:32:42,513 --> 01:32:45,472 THE PAIN ONLY MY ENEMIES SHOULD KNOW. 1754 01:32:45,516 --> 01:32:47,953 IN MY LEGS, THE KNEES, AND-- 1755 01:32:47,997 --> 01:32:51,478 DO YOU KNOW THIS FELLOW? WHO IS THIS MAN? 1756 01:32:51,522 --> 01:32:53,480 THIS IS SAM, BUBBIE. 1757 01:32:53,524 --> 01:32:56,483 HE'S KEEPING COMPANY WITH YOU? 1758 01:32:56,527 --> 01:32:58,485 COULD BE. 1759 01:32:58,529 --> 01:33:00,009 OH, YEAH? 1760 01:33:01,532 --> 01:33:05,492 HE LOOKS OK. YOU LIKE HIM? 1761 01:33:05,536 --> 01:33:07,016 YES, BUBBIE. 1762 01:33:08,539 --> 01:33:10,976 HE'S A JEW? 1763 01:33:11,020 --> 01:33:12,499 I THINK SO. 1764 01:33:12,543 --> 01:33:15,981 YOU'LL BRING HIM WITH YOU NEXT TIME YOU COME? 1765 01:33:16,025 --> 01:33:19,506 I'LL BRING HIM WITH ME NEXT TIME I COME. 1766 01:33:19,550 --> 01:33:21,508 HE'LL BUY ME CHERRY HERRING. 1767 01:33:21,552 --> 01:33:24,511 IT WOULD BE MY PLEASURE, MRS. KANTOR. 1768 01:33:24,555 --> 01:33:26,513 TAKE MY ARM, SAM. 1769 01:33:26,557 --> 01:33:28,994 IT'S OK. YOU CAN TOUCH ME. 1770 01:33:29,038 --> 01:33:32,998 120 POUNDS OF PURE GOLD, THAT'S ME. 1771 01:33:33,042 --> 01:33:34,521 COME, CHILDREN, COME. 1772 01:33:34,565 --> 01:33:37,568 LET'S PUT THE BUBBIE TO BED. 1773 01:33:51,321 --> 01:33:54,150 ♪ WHEN I'M WALKIN' AROUND THE ROAD ♪ 1774 01:33:54,193 --> 01:33:56,979 ♪ IT OCCURS TO ME 1775 01:33:57,022 --> 01:34:00,852 ♪ I NEVER THOUGHT I COULD BE LUCKY ♪ 1776 01:34:00,896 --> 01:34:03,289 ♪ LUCKY 1777 01:34:05,422 --> 01:34:11,123 ♪ I'M NOT A PERSON TO WHOM THESE WORDS COME EASILY ♪ 1778 01:34:11,167 --> 01:34:14,866 ♪ I NEVER THOUGHT I COULD BE LUCKY ♪ 1779 01:34:14,910 --> 01:34:17,564 ♪ LUCKY 1780 01:34:17,608 --> 01:34:19,566 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1781 01:34:19,610 --> 01:34:21,568 CAPTIONS COPYRIGHT 1989 WARNER BROS., INC. 1782 01:34:21,612 --> 01:34:24,093 ♪ LUCKY 1783 01:34:25,747 --> 01:34:29,141 ♪ AND I SEE YOU COMIN' TOWARD ME ♪ 1784 01:34:29,185 --> 01:34:31,927 ♪ IN A CROWD 1785 01:34:31,970 --> 01:34:36,105 ♪ LOOKIN' THE WAY THAT YOU DO ♪ 1786 01:34:37,497 --> 01:34:41,240 ♪ MY HEART IS ACHING 1787 01:34:41,284 --> 01:34:48,900 ♪ 'CAUSE I REALLY LOVE YOU 1788 01:34:48,944 --> 01:34:51,642 ♪ LOVE YOU 1789 01:34:54,645 --> 01:34:56,995 ♪ LOVE YOU 1790 01:34:59,606 --> 01:35:05,656 ♪ PRETTY PICTURES IN THE MAGAZINE AD ♪ 1791 01:35:05,700 --> 01:35:08,964 ♪ LOVE LOOKS LIKE IT'S EASILY HAD ♪ 1792 01:35:09,007 --> 01:35:13,751 ♪ LUCKY 1793 01:35:13,795 --> 01:35:15,840 ♪ IT'S JUST A VISION YOU HAVE ♪ 1794 01:35:15,884 --> 01:35:19,452 ♪ AND CAN'T BE NEAR 1795 01:35:19,496 --> 01:35:23,282 ♪ WHAT YOU REALLY WANT TO SEE CLEAR ♪ 1796 01:35:23,326 --> 01:35:25,110 ♪ LOVE YOU 1797 01:35:28,940 --> 01:35:31,334 ♪ LOVE YOU 1798 01:35:33,728 --> 01:35:37,209 ♪ AND I SEE YOU COMIN' TOWARD ME ♪ 1799 01:35:37,253 --> 01:35:39,995 ♪ IN A CROWD 1800 01:35:40,038 --> 01:35:44,695 ♪ LOOKIN' THE WAY THAT YOU DO ♪ 1801 01:35:45,696 --> 01:35:49,308 ♪ MY HEART IS BREAKING 1802 01:35:49,352 --> 01:35:57,099 ♪ 'CAUSE I REALLY LOVE YOU 1803 01:35:57,142 --> 01:35:59,710 ♪ HAPPY 1804 01:36:02,713 --> 01:36:04,846 ♪ LOVE YOU 1805 01:36:07,805 --> 01:36:14,159 ♪ HERE'S A THIN THREAD OF HOPE I'M HANGIN' FROM ♪ 1806 01:36:14,203 --> 01:36:17,119 ♪ HOPE YOU'RE GOING TO BE THE ONE ♪ 1807 01:36:17,162 --> 01:36:20,035 ♪ OOH, OOH, OOH 1808 01:36:21,993 --> 01:36:28,695 ♪ IT'S A STRONG LOVE THAT WON'T COME UNDONE ♪ 1809 01:36:28,739 --> 01:36:31,176 ♪ HOPE YOU'RE GOING TO BE THE ONE ♪ 1810 01:36:31,220 --> 01:36:34,092 ♪ LOVE YOU 1811 01:36:36,834 --> 01:36:40,229 ♪ HAPPY 1812 01:36:42,535 --> 01:36:46,757 ♪ LOVE YOU 1813 01:36:48,150 --> 01:36:52,241 ♪ LUCKY ♪